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Bebop Spoken There

Kathyrn Williams: “I got into Miles Davis when I was a teenager. But I’m nowhere near as knowledgeable as Anthony [Kerr]: he is an encyclopedia of jazz, with a real in-depth, academic knowledge. I’m just a fan.” – (Jazz Journal December 2017).

Christian McBride: "He [Horace Silver] was the whole package" – (Downbeat September 2014).

Today Thursday January 18

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

‘The Death Beat - 1920s’ US immigration policy’ - City Library, New Bridge St, Newcastle NE1 8AX. 6:00pm. Free. Novelist Fiona Veitch Smith talks about her research into the period and its resonance with today’s political landscape. The Death Beat is Veitch Smith’s third novel in her series Poppy Denby Investigates.

Jambone - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. 7:00pm. Free but ticketed.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE. Tel: 0191 488 8068. 8:30pm. Free.

Tees Hot Club w. Kevin Eland (trumpet); Jeremy McMurray (keys); Danny Allan (sax). - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, May 05, 2014

Firebird Quartet @ The Bridge. May 4









Ian Chalk (trumpet); Martin Longhawn (piano); John Marley (bass); Tim Carter (drums).
(Review by Lance/Photos courtesy of Ken Drew).
This was a stormer! Four York based musicians at the top of their game (and who's to say they won't get even better still - Longhawn and Carter are still just in their mid-twenties) delighted Sunday's Splinter audience with a program of originals and standards performed with much originality. Nature Boy done over a Cuban rhythm, Sonny Rollins' Blue Seven given an easy relaxed swing feel. Chalk has that beautiful fat sound personified by such as Fats Navarro, Clifford Brown and Freddy Hubbard. Tone wasn't sacrificed for technique nor vice versa - the perfect balance. On the Rollins piece the trumpet player used Chris Calver's pint glass for a growl chorus. Chris, who was sitting at the front table nearest the stage beamed with delight. The glass, I hasten to add, was empty!
John Marley has made many trips to Tyneside and most of us are familiar with his, backbone of the band, bass playing. Longhawn too is not unknown in these parts and his solos and support were superb.
However, drummer Carter was the surprise package. I think most present were unfamiliar with the name - they aren't now!
Straight down the middle swing, complex Latin rhythms, contemporary jazz/rock feel he does 'em all. Is he from York down the A19 or the newer version across the pond? He may well be one day.
Yes this was a good session...
Lance.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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