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Bebop Spoken There

Alan Broadbent: “I really enjoy working with some singers. It depends. Again, there has to be a give and take between the two of us. Otherwise, it’s just a job and I’m too old for that now.”(Jazz Times February 2015).

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Alan Broadbent: “As soon as I heard where Georgia [Mancio] was coming from, and the tradition in terms of songwriting and her appreciation of standards, it was basically the same as mine.” – (Jazzwise April 2017)

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Archives.

Today Thursday March 30.

Afternoon
Vieux Carré Jazzmen - The Holystone, Whitley Rd., Holystone, Newcastle (ish) NE27 0DA. 1pm. Free.
Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068
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Strictly Smokin' Big Band- The Millstone, Haddrick's Mill Rd., South Gosforth NE3 3DB. 7pm. Free.
Pasadena Roof Orchestra - Customs House, Mill Dam, South Shields NE33 3NG. 7:30pm. £19/£17.50 (conc.)
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Tees Hot Club w. Bruce Taylor (keys); John Brett (tenor); Ray Dales (alto) - Dorman's, Oxford Rd., Middlesbrough. 9pm. Free.
New Orleans Preservation Jazz Band - The Oxbridge, Oxbridge Lane, Stockton on Tees. 8:30pm.
Paul Skerritt Band - Pennyweight, Bakehouse Hill, Darlington DL1 5QA. 9pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, May 29, 2014

Charlotte Glasson Group @ The Jazz Café. May 28

Charlotte Glasson (tenor & soprano saxophones, flute, violin, melodica & saw), Paul Taylor (trombone), Chris Spedding (guitar), Mick Hutton (double bass) & Sam Glasson (drums)
(Review by Russell/Photos courtesy of Ken Drew.)
The Charlotte Glasson Group made the long drive from Brighton picking up a couple of London-based band mates on the way. Newcastle greeted them with teeming rain. Glasson had previously played a Schmazz at the Cluny gig and this Jazz Café date drew one or two who had been at that first Newcastle appearance. The majority in the Jazz Café’s upstairs space were hearing the multi-instrumentalist for the first time.
Glasson (Charlotte) plays all the reeds but on this occasion she left behind a fair few of them – she couldn’t fit them all in to her car! The range of instruments served Glasson well during an eclectic set ranging from classic era jazz tunes to blues to ska to rockabilly. The new CD – Festivus – featured during the evening, as did the back catalogue, a tune so new its working title is Tune With No Name and a couple of jazz standards. Gumbo Blues Walk opened the show with Glasson on tenor and Paul Taylor’s big trombone sound. A switch to soprano on Something New then flute on Travelling Band. Three instruments on the first three tunes (each played with equal facility), three other instruments to be heard later, the ebullient Glasson will never be short of a gig! An arrangement of Jimmy Guiffre’s The Train and the River won favour with the hard core jazz fans in the room (Glasson on tenor). Talking of the hard core…Black and Tan Fantasy played straight, respectfully. From the Ellington/Miley masterpiece to Chris Spedding’s Gunfight. The guitar hero’s career is well documented (he has played with everyone and has so many recording studio sessions to his name to list them all would read like a telephone directory) and on this one he played it rockabilly a la Duane Eddy.
Glasson played the melodica (clever girl Wor Charlotte) on Early Bird Tango, flute took her fancy on Early Days with kid brother Sam Glasson showing he’s no mug with a top flight drum solo. Bassist Mick Hutton contributed Lister (a tune about his father, who, on his death bed, offered to sell him his watch!). Trombonist Paul Taylor does poetry stand-up (as indicated earlier, it was an eclectic gig). He had the audience in stitches with a never- ending series of observational jottings. The one about the poorly cleaned beard in the Cluny…be sure to check-out www.trombonepoetry.com Taylor does ska (being multi talented is a prerequisite of band membership), so we got a skanking When You’re Feeling Low. Brothel creeper Spedding sang Louisana and the eponymous Festivus (a festival for those who choose not to observe Christmas or other similar occasions) enlisted an in-tune whistling audience to close a hugely entertaining night. Oh, yes. Glasson called into B&Q on the way to the gig and bought a saw. Not that she’s into DIY. She played it as an instrument. And she played violin! And to think she left behind her other instruments! Clever girl Wor Charlotte! For details of Glasson’s tour itinerary and her new CD visit www.charlotteglasson.com
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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