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Bebop Spoken There

Alan Broadbent: “I really enjoy working with some singers. It depends. Again, there has to be a give and take between the two of us. Otherwise, it’s just a job and I’m too old for that now.”(Jazz Times February 2015).

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Alan Broadbent: “As soon as I heard where Georgia [Mancio] was coming from, and the tradition in terms of songwriting and her appreciation of standards, it was basically the same as mine.” – (Jazzwise April 2017)

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Archives.

Today Thursday March 30.

Afternoon
Vieux Carré Jazzmen - The Holystone, Whitley Rd., Holystone, Newcastle (ish) NE27 0DA. 1pm. Free.
Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068
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Strictly Smokin' Big Band- The Millstone, Haddrick's Mill Rd., South Gosforth NE3 3DB. 7pm. Free.
Pasadena Roof Orchestra - Customs House, Mill Dam, South Shields NE33 3NG. 7:30pm. £19/£17.50 (conc.)
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Tees Hot Club w. Bruce Taylor (keys); John Brett (tenor); Ray Dales (alto) - Dorman's, Oxford Rd., Middlesbrough. 9pm. Free.
New Orleans Preservation Jazz Band - The Oxbridge, Oxbridge Lane, Stockton on Tees. 8:30pm.
Paul Skerritt Band - Pennyweight, Bakehouse Hill, Darlington DL1 5QA. 9pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, April 18, 2014

Pilgrim St. Set @ Hoochie Coochie. April 17











Richard Burns (tpt); Gary Turner (ten); Paul Edis (pno); Paul Susans (bs. gtr); Rob Walker (dms).
(Review by Lance/Photo courtesy of Jerry Edis.)
In contrast to last month's "select audience" this time round the joint was jumpin'. Of course it was Easter Eve which is as good an excuse as any to get bladdered - the Hoochie slogan "Every true music believer now has their church" certainly rung true tonight.
The band were loud and the congregation even louder. If you want sepulchral silence then go to a church with a steeple. Personally, I find a boisterous audience makes for a more relaxed atmosphere on stage. If you can here a pin drop then you can also hear a clanger dropped forcing the musicians to play safe and take less chances.
The Pilgrim St Set certainly took their chances and by and large they came off. I had a few reservations about the free section of a Frank Zappa number but that's probably due to my sometimes tunnelled vision approach to music.
On trumpet, Richard Burns, the tallest Australian in town, introduced a number as being by Cannonball Adelaide - I half expected the next piece to be by Victoria Feldman or Kathy Hobart! As it was the next piece was by bass guitarist Susans and titled Ventouse (google it!) - he certainly delivered..
Susans and drummer Walker were at the hub of everything driving the others along relentlessly - funksters to the finish.
Turner and Edis never give less than 101% with Gary completely re-designing Adolphe Sax's conception of his invention and Paul producing a multitude of keyboard sounds. Paul's original composition, We Don't Get Along certainly didn't apply to this situation - they gelled!
Down front we even had a couple dancing to an Ornette Coleman number, and why not? Music and dancing have always complemented each other and the more complex the music the more challenging it is for the dancers to interpret. These two interpreted!
The Pilgrim St. Set are at Hoochie on the third Thursday of each month so see you there on May 22. 
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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