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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Thursday May 23

Afternoon

Jazz

Vieux Carré Jazzmen - Holystone, Whitley Rd., Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Elina Duni + Trio FCT - Black Swan, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. £10.00. & £8.00.

Tees Hot Club w. Richie Emmerson (tenor sax); Donna Hewitt (alto sax); Dave Archbold (keys) - Dormans Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, April 12, 2014

Paul Edis Trio - Jazz Café April 11

Paul Edis (pno); Mick Shoulder (bs); Adam Sinclair (dms).
The Jazz Café had a fair smattering of punters in tonight. Some stayed, some left and there was much shifting around of seats before, eventually, we got our favourite pew 'twixt bar and piano.
In recent weeks, "The Caff" has seen no small percentage of the area's top pianomen in the spotlight. Collingwood, Gilligan, Glen, Harrison, Law and tonight Edis.
We are truly blessed in this neck of the woods to have so many magnificent manipulators of the well-tempered clavichord except this one tonight was a slightly ill-tempered Hyundai! If it was an Hyundai car it wouldn't have passed its MOT!
Paul Edis, to his credit, coped brilliantly and perhaps gave credence to the popularity of electric pianos and not just for the portability aspect.
However, that is by the by, the trio were magnificent. The locked hands block chord solo by Paul on Good Bait would surely have met the approval of the composer Tadd Dameron who I'm sure met up with far worse pianos in his days on the road. It was in Good Bait that I first noted the piano's quirkiness. Can Paul really be hitting a bum note every time on a number he must have played so often? then I realised it was to avoid the offending (was it c or c#? my ears aren't that good!) note.
There also seemed to be an occasional animal like sound emanating from the beast - at first I thought Paul was doing some Erroll Garner type grunting (Garner could have given lessons to Serena Williams on grunting!) but no, it was the piano.
Bossman Mike will no doubt be on the phone to a piano tuner (who does one phone now that Mick Danby's gone?) to prepare the instrument for its next opponent.
Having said all that, bum note or no bum note, this was a tremendous session with the trio firing on all cylinders and Edis at the top of his game - is he ever any less?
On drums, Adam Sinclair swung like the proverbial and his solo on Edis' Angular was certainly that!
Mick Shoulder rounded off this A list rhythm section. No histrionics, just sympathetic bass playing and meaningful melodic solos.
Lance.

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