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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Michael James: "...if Ellis [Herb] has merits they are definitely not these [fantastic fire and drive]". - (Review of Herb Ellis Meets Jimmy Giuffre (LP). Jazz Monthly May 1960).

Archives

Today Wednesday October 18

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Evening
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

New Orleans Jazz at the Village Hall - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

Glowrogues - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ. 8:00pm. Line-up Sam Healey (alto), Aaron Diaz (trumpet & electronics), Richard Foote (trombone), Ben Watte (keyboards), Dan Brew (guitar), Jamie Brewster (bass) & Jim Molyneux (drums)

Shannon McNally & Friends + Little Mo (Mo Scott) - Live Theatre Studio, Broad Chare, Newcastle NE1 3DQ. Tel: 0191 232 1232. 8:00pm. £10.00. Jumpin’ Hot Club gig.

Tees Hot Club - Cleveland Bay, 718 Yarm Rd., Eaglescliffe TS16 0JE. 9pm. Free.

Emma Fisk & Paul Edis - Ushaw College. 7:30pm. £7.00. Classical, jazz & tango. (CANCELLED)
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, April 12, 2014

Paul Edis Trio - Jazz Café April 11

Paul Edis (pno); Mick Shoulder (bs); Adam Sinclair (dms).
The Jazz Café had a fair smattering of punters in tonight. Some stayed, some left and there was much shifting around of seats before, eventually, we got our favourite pew 'twixt bar and piano.
In recent weeks, "The Caff" has seen no small percentage of the area's top pianomen in the spotlight. Collingwood, Gilligan, Glen, Harrison, Law and tonight Edis.
We are truly blessed in this neck of the woods to have so many magnificent manipulators of the well-tempered clavichord except this one tonight was a slightly ill-tempered Hyundai! If it was an Hyundai car it wouldn't have passed its MOT!
Paul Edis, to his credit, coped brilliantly and perhaps gave credence to the popularity of electric pianos and not just for the portability aspect.
However, that is by the by, the trio were magnificent. The locked hands block chord solo by Paul on Good Bait would surely have met the approval of the composer Tadd Dameron who I'm sure met up with far worse pianos in his days on the road. It was in Good Bait that I first noted the piano's quirkiness. Can Paul really be hitting a bum note every time on a number he must have played so often? then I realised it was to avoid the offending (was it c or c#? my ears aren't that good!) note.
There also seemed to be an occasional animal like sound emanating from the beast - at first I thought Paul was doing some Erroll Garner type grunting (Garner could have given lessons to Serena Williams on grunting!) but no, it was the piano.
Bossman Mike will no doubt be on the phone to a piano tuner (who does one phone now that Mick Danby's gone?) to prepare the instrument for its next opponent.
Having said all that, bum note or no bum note, this was a tremendous session with the trio firing on all cylinders and Edis at the top of his game - is he ever any less?
On drums, Adam Sinclair swung like the proverbial and his solo on Edis' Angular was certainly that!
Mick Shoulder rounded off this A list rhythm section. No histrionics, just sympathetic bass playing and meaningful melodic solos.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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