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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Sunday June 17

Afternoon

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1pm. Free.

Get in the Band rehearsal - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4666. 10:00am-6:00pm. First of two rehearsals under the direction of Chris Sharkey (second rehearsal Thurs 21 June, 6:00-10.00.pm) culminating in three performances in a day on Sat 23 June - 1) Great North Museum (Hancock Museum), 2) Central Station, 3) Sage Gateshead. Times TBC. Free but ticketed.

Big Gig in the Park: Durham Music Service Ensembles - South Park, Parkside, Darlington DL1 5TG. 12 noon.

Alice Grace & Ben Helm - Bonbar, Fenkle Street, Newcastle NE1 5XU. 1:30pm. Diners’ gig.

Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

Sour Mash Trio - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Mark Williams & Joel Byrne-McCullough - Black Bull, Bridge Street, Blaydon NE21 4JJ. 8:00pm. £5.00.

Jazz Jam - Head of Steam, Reform Place, Durham DH1 4RZ. 7:30pm. Free. Durham University Jazz Society. Last one before the Summer recess.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 22, 2014

Jazz in the Afternoon @ Cullercoats Crescent Club. April 21

Brian Chester (keyboards, trombone, silly hat), Derek Fleck (clarinet, tenor saxophone, silly hat), John Carstairs Hallam (double bass) & Ollie Rillands (drums & vocals) + Lawrence McBriarty (trombone), Barry Soulsby (clarinet & vocals), Miles Watson (trumpet,) Roy Gibson (keyboards), Doris Fenn (banjo), John Broddle (vocals), Theresa Armstrong (vocals) & Lisa Murphy (vocals)
(Review by Russell).
Easter Monday, sunshine, Metro to the coast packed (buckets and spades, screaming tots, tattoos, harmless pit-bulls). A nice day to sit on the prom and watch the disembarked disport themselves. To more pressing matters…an afternoon of jazz in the Crescent Club. The club, like the train, packed, standing room only.
The regulars – band and audience – assembled in good time, the beers on the bar the best selection by far to be found in a north east CIU club. Consett Brewery’s Last Tap the first to be sampled as John Broddle sang Easter Parade (topical, if nothing else). Wrap Your Troubles in Dreams suggested Broddle, backed by Brian Chester (piano, DIY multi coloured mini umbrella hat) and Derek Fleck (tenor, distressed straw hat). Chester’s verdict on JB’s efforts an encouraging ‘absolutely average’. Drummer Ollie Rillands met a (regular) request speeding along Route 66. Lawrence McBriarty (trombone) brought a little respectability to proceedings on Jazz Me Blues and Nagasaki.
The Monday session welcomes sitters-in and a new name got up to sing a couple of numbers including Autumn Leaves. The name to note is Lisa Murphy. Several generations younger than the boys in the band, Ms Murphy should sit in elsewhere (the Jazz Café’s jam session, perhaps), a voice to be heard again.
The interval – another beer (the Maxim Brewery’s Wanted Simcoe Kid), a natter, a raffle ticket. One lucky (unlucky?) person got to choose between a bottle of wine and a CD. Derek Fleck implored the winner to ‘take the Glenn Miller thing away’! Fleck picked up his tenor, assumed his Lester Young stance (slumped along the leather upholstered seating) and accompanied the eternally youthful Theresa Armstrong on Mean to Me
Things were hotting up. Roy Gibson sat at the piano, Miles Watson (trumpet) got up and Mr Chester played trombone alongside Mr McBriarty. The estimable Doris Fenn (banjo) joined the engine room boys (Rillands and double bassist John Carstairs Hallam) as a marmalade of clarinets (Fleck and Barry Soulsby) upped the ante. The Loch Ness Brewery’s Wilderness called out to be supped as a jam session threatened. Time waits for no jam session, time to go, there’s always next week.         
Russell.        

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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