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Bebop Spoken There

Ken Peplowski: I try to play the clarinet like a clarinet and not like a guy doubling on another instrument.– (Down Beat July 2004).

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James Morrison: “I’m not a trumpet player that doubles on flugelhorn. I’m a musician that plays trumpet, flugelhorn, euphonium and the rest. – (Jazz Journal January 1992).

Archives.

Today Thursday January 19

Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068.
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Tees Hot Club w. Jeremy McMurray (keys); Mark Toomey (alto). - Dorman's, Oxford Rd., Middlesbrough. 8:30pm. Free.
New Orleans Preservation Jazz Band - Oxbridge Hotel, Oxbridge Lane, Stockton on Tees. 8:30pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 22, 2014

Jazz in the Afternoon @ Cullercoats Crescent Club. April 21

Brian Chester (keyboards, trombone, silly hat), Derek Fleck (clarinet, tenor saxophone, silly hat), John Carstairs Hallam (double bass) & Ollie Rillands (drums & vocals) + Lawrence McBriarty (trombone), Barry Soulsby (clarinet & vocals), Miles Watson (trumpet,) Roy Gibson (keyboards), Doris Fenn (banjo), John Broddle (vocals), Theresa Armstrong (vocals) & Lisa Murphy (vocals)
(Review by Russell).
Easter Monday, sunshine, Metro to the coast packed (buckets and spades, screaming tots, tattoos, harmless pit-bulls). A nice day to sit on the prom and watch the disembarked disport themselves. To more pressing matters…an afternoon of jazz in the Crescent Club. The club, like the train, packed, standing room only.
The regulars – band and audience – assembled in good time, the beers on the bar the best selection by far to be found in a north east CIU club. Consett Brewery’s Last Tap the first to be sampled as John Broddle sang Easter Parade (topical, if nothing else). Wrap Your Troubles in Dreams suggested Broddle, backed by Brian Chester (piano, DIY multi coloured mini umbrella hat) and Derek Fleck (tenor, distressed straw hat). Chester’s verdict on JB’s efforts an encouraging ‘absolutely average’. Drummer Ollie Rillands met a (regular) request speeding along Route 66. Lawrence McBriarty (trombone) brought a little respectability to proceedings on Jazz Me Blues and Nagasaki.
The Monday session welcomes sitters-in and a new name got up to sing a couple of numbers including Autumn Leaves. The name to note is Lisa Murphy. Several generations younger than the boys in the band, Ms Murphy should sit in elsewhere (the Jazz Café’s jam session, perhaps), a voice to be heard again.
The interval – another beer (the Maxim Brewery’s Wanted Simcoe Kid), a natter, a raffle ticket. One lucky (unlucky?) person got to choose between a bottle of wine and a CD. Derek Fleck implored the winner to ‘take the Glenn Miller thing away’! Fleck picked up his tenor, assumed his Lester Young stance (slumped along the leather upholstered seating) and accompanied the eternally youthful Theresa Armstrong on Mean to Me
Things were hotting up. Roy Gibson sat at the piano, Miles Watson (trumpet) got up and Mr Chester played trombone alongside Mr McBriarty. The estimable Doris Fenn (banjo) joined the engine room boys (Rillands and double bassist John Carstairs Hallam) as a marmalade of clarinets (Fleck and Barry Soulsby) upped the ante. The Loch Ness Brewery’s Wilderness called out to be supped as a jam session threatened. Time waits for no jam session, time to go, there’s always next week.         
Russell.        

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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