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Bebop Spoken There

Allison Neale: “It’s difficult if you play mainstream in the UK, it isn’t appreciated enough. The current scene seems to focus on musician-composers.” - (Jazz Journal April 2013).

Liam Noble: “I know some people think playing standards is old-fashioned but I love it.” – (Jazz Journal January 2016).

Archives.

Today Monday February 20

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Evening.
Holy Moly & The Crackers + Rob Heron & The Tea Pad Orchestra - The Cluny, Lime St., Newcastle. 7pm. £10.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, April 06, 2014

GIJF – Day One Djangologie - April 4.

Mick Shoulder (double bass), Emma Fisk (violin), James Birkett (guitar) & Giles Strong (guitar)
(Review by Russell/Photos courtesy of Ken Drew.)
At Sage Gateshead moving from one hall to another often presents a dilemma as there is invariably music on the concourse and the impulse is to stop and listen. On the opening night off this year’s festival the late night session on the concourse featured none other than Djangologie. Mick Shoulder’s Hot Club quartet played a first set to an appreciative crowd of three or four hundred transient souls. On this occasion many appeared to be astonished. Who’s this? There fantastic! A scheduled review of a concert in one of the adjacent halls abandoned, the concourse was the place to be.
Second set, audience numbers had diminished due to the competing attractions (Hall Two, the Jazz Lounge, the Jazz Cafés Late Night Club) yet those who stayed on had no regrets. Minor Swing, Nuages and more. A couple stopped, sat at a vacant table and were duly astonished, Clearly they hadn’t previously heard the quartet. The principal soloists – Emma Fisk (violin) and James Birkett (guitar) – crafted impeccable solos, making it look easy. To them it probably is. To this listening audience (our visiting couple included) – Wow! Concourse or concert platform? Does it matter? Perhaps not, the important thing is to catch Djangologie next time, wherever that be.
Bassist Shoulder composes in ‘the tradition’ and one such example – a tail of unrequited love – Beautiful Till 3 stands alongside classic Hot Club material. Shoulder’s engine room mate Giles Strong (rhythm guitar) dropped anchor with his customary faultless display. Festivals by their nature – so much/too much to hear – create highs and lows. Djangologie on the concourse scored highly – ten out of ten, no less.    
Russell          

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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