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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Monday June 18

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, April 16, 2014

CD Review: Nancy Goudinaki - I Wanna Be Your Star

Nancy Goudinaki (vocals, electro-classical guitar); Orrin Evans (piano, arrangements); Dwayne Burno (bass); J D Allen (tenor sax); Rudy Royston (drums); also guests Miles Griffith (vocals); Daniel Sadownick (percussion); Richie Goods (bass).
(Review by Ann Alex).
 Ms Goudinaki hails from Greece and this is her debut album.  She was trained in classical guitar but she felt inspired to sing jazz, and she is making a name for herself in and around New York.  The CD includes standards, Almost Like Being In Love; I’ll Be Seeing You; Fine And Mellow; My Heart Stood Still; A Nightingale Sang In Berkeley Square; Between The Devil And The Deep Blue Sea;, two originals by Ms Goudini Bird Of Paradise; I Wanna Be Your Star; and another two tracks Just Friends and an instrumental Milonga.
I enjoyed listening except for the track Just Friends, which features the male vocalist Miles Griffith along with Ms Goudinaki, which was far too dramatically performed for my taste.  The other tracks were delightfully sung, and Ms Goudinaki’s occasional foreign accent adds to the charm.  Her voice can be wonderfully sweet, as in Bird Of Paradise, or more sultry toned as in most of the standards.  For instance Almost Like Being In Love has a lower toned voice with a jazzy feel and just the right amount of scat towards the end of the song.  The piano and sax solo well and the drums and bass do their stuff throughout the album.  I’ll Be Seeing You begins with a suitably mournful sax and is the slowest version of the song I've yet to hear, but it is wisely kept short.  Fine And Mellow opens with just voice and bass, then the other instruments enter sleazily as befits the song.
I think we’ll hear more of this singer in the future.  The CD is self released on April 16.
Ann Alex     

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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