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Bebop Spoken There

Ken Peplowski: I try to play the clarinet like a clarinet and not like a guy doubling on another instrument.– (Down Beat July 2004).

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James Morrison: “I’m not a trumpet player that doubles on flugelhorn. I’m a musician that plays trumpet, flugelhorn, euphonium and the rest. – (Jazz Journal January 1992).

Archives.

Today Thursday January 19

Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068.
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Tees Hot Club w. Jeremy McMurray (keys); Mark Toomey (alto). - Dorman's, Oxford Rd., Middlesbrough. 8:30pm. Free.
New Orleans Preservation Jazz Band - Oxbridge Hotel, Oxbridge Lane, Stockton on Tees. 8:30pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, April 26, 2014

CD Review: Michael Feinberg's “HUMBLEBRAG” Live at 800 East

Michael Feinberg (Bass/ Bass guitar); Godwin Louis (Alto); Billy Buss (Tpt);  Julian Shore (Pno); Terreon Gully (dms); Jacob Deacon (Gtr on 1 track).
(Review by Dave Brownlow).
This album offers us a “Glimpse of Jazz’s Future” featuring six original compositions by bassist/composer Michael Feinberg (who also leads The Elvin Jones Project in the U.S.) played by an up and coming group of young musicians on  the New York scene.


The opener, Tutuola is based on a relentless motif – the energetic solos, driven by explosive drummer Gully, hover around a repeated single-note bass pedal point. Puncher’s Chance is built around a bass-led ostinato where the alto and trumpet seem to trade phrases as boxers trade punches. Pianist Shore has an attractive solo in between rounds!
But the Sound is a longer three-part suite moving to and from extremes of mood. It starts quietly and atmospherically out-of-tempo with challenging harsh harmonies. The middle section has the trumpet and alto improvising solos together clashing with many dissonances. This leads to pleasant flowing alto and piano solos followed by a reprise of the out-of-tempo section to conclude.
Duckface is a blues with altered chord changes which joyfully charges along in a “down-home” groove with heated solos from alto and trumpet. A ballad, Untitled 2 follows – again constructed from a bass-led figure. This features gentle solos from Shore and guitarist Deacon who appears on this one track.
Finally the title track Humblebrag is reminiscent of some of Miles Davis’s early electric-fusion work. Following the theme statement, there is a fine “Jarrett-esque” piano interlude and a melodic bass-guitar solo leading to a final out-chorus well thrashed by drummer Gully.
As you can imagine in a bassist-led album, the sound of the bass is well to the fore in the sonic mix. This is a useful thing for the listener, as it helps one to focus on “where you are” in the structure of the pieces and the solos.
Due out on May 6, “Humblebrag” is available at Amazon.com, iTunes and at www.humblebrag_band.com
Dave B.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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