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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Wednesday May 22

Afternoon

Jazz

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Alan Law - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Blues

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, March 26, 2014

Trio Riot @ Schmazz at the Jazz Café. March 25

Sam Andreae (tenor saxophone), Mette Rasmussen (alto saxophone) & David Meier (drums)
(Review by Russell/Photo by Ken Drew)
Trio Riot made a return visit to Tyneside to play a Schmazz date at the Jazz Café. The increase in audience numbers – up on the band’s Newcastle debut at the Bridge Hotel – suggests word had got around that this was a trio worth hearing. The ‘punk jazz’ label seems to have stuck and it does, to a degree, give an indication of what the listener could/should expect to hear.
Loud, intense, incessant riffs with a disarming element up their collective sleeve…humour. Sharp blasts from the horn players – Sam Andreae (tenor), Mette Rasmussen (alto) – followed by a destablising silence broken by one or other, perhaps drummer David Meier (perhaps by the member of the trio most adept at counting the time in their head!), punctuated the performance.
Touring the CD Trio Riot (a simple enough title, it does what it says on the tin), the trio travel light – tenor horn and alto, Meier using a house kit along the way – yet punch above their weight on stage. Upper register work by Andreae or Rasmussen ratcheted the tension, released by cascading notes tumbling to the floor, Meier ducking out of the way, forging a change in direction. New compositions were heard, the band reading their parts, the tunes yet to be committed to memory. Trio Riot has created a readily identifiable sound – commanding, engaging, uncompromising.                
Russell.

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