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Bebop Spoken There

Frank Tate: “Travelling’s part of life. It just goes with the job. It’s in one’s best interests, I think, to enjoy it, because it’s sure what you’re gonna be doing!” – (Jazz Journal February 1992)

Joe Temperley"I was on the bus as Carney's replacement. I said to Harold Ashby 'Where are we going?' He answered 'What difference does it make?' " - (Jazz UK January 2013.)

Archives.

Today Saturday January 21

Evening

James Harrison (solo piano) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 7:30pm. No cover charge.

Hannah Taylor/Alix Shepherd - Redwood Bar, Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. Free 7.pm 0191 2331010.

Dutch Treat - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. £3.

Budtet - The Globe, 11 Railway St., Newcastle NE4 7AD. 8pm. £5.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, March 17, 2014

Salsa Cafe Jazz Jam: Sunday March 16

Pete Gilligan (keys, drums); Steve Brown (bass guitar, keys); Joel Brown (keys); John Usher (guitar); Kay Usher (violin); Stuart Mckie (guitar); Stuart Findon (tenor sax, bass guitar); Fiona Findon (tenor sax, vocals); John Rowland (tenor sax); Paul Ruddick (alto sax);  Peter Ninnim (drums); Someone Else? (drums); Jenny Lingham (vocals); Ann Alex (vocals).
(Review by Ann Alex).
Readers will be able to tell from the above list that this was an informal, lively, thoroughly enjoyable session, with lots of mixing and matching, and people trying instruments that they don’t play so often.  I could maybe find myself on drums next time, so bring earplugs just in case. 
Sorry if I’ve missed anyone, but my excuse is that it was also a very sociable afternoon with lots of chatting, though that didn’t stop us from listening to some fine interpretations of standards such as Can’t Believe That You’re In Love With Me (Pete G totally on form, many solos, lovely constant whisk, whisk of cymbals); How High The Moon (led by a tenor sax); Ain’t Misbehavin’ (young Joel on keys cutting across with chords, less is more); Green Dolphin Street (sliding alto sax, contrasted with Stu’s more staccato tenor); All The Things You Are (Stu has switched to bass guitar); Pete back on keys for Fly Me To The Moon.  
We singers did our bit, Fiona with Softly As In A Morning Sunrise and a beautifully sung God Bless The Child, every word had meaning; I did Secret Love, which went well, with many solos, even from Pete on drums; Jenny did a skilled version of a difficult song, Speak Low.  One more tune from the band and that was it for another smashing week.        
Ann Alex.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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