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Bebop Spoken There

Peter Vacher: “The Hopbine [public house] is a Tesco Express now, having been reinvented successively as Desi Dons, Bootsy Brogans, the Dog and Duck and, before that, the Chequered Flag.” – (Jazzwise October 2017)

Kyle Eastwood: “Naturally I listened to pop music when I was a kid – I’d spend two hours a day hearing it on the school bus! – but the very first music I heard in the house and the first concerts I went to were jazz.” – (Jazzwise October 2017)

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Today Monday October 23

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. 0191 4880954. 1pm. Free. Bob Wade (trumpet); Olive Rudd (vocal) and other familiar faces.
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Evening.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, March 17, 2014

Salsa Cafe Jazz Jam: Sunday March 16

Pete Gilligan (keys, drums); Steve Brown (bass guitar, keys); Joel Brown (keys); John Usher (guitar); Kay Usher (violin); Stuart Mckie (guitar); Stuart Findon (tenor sax, bass guitar); Fiona Findon (tenor sax, vocals); John Rowland (tenor sax); Paul Ruddick (alto sax);  Peter Ninnim (drums); Someone Else? (drums); Jenny Lingham (vocals); Ann Alex (vocals).
(Review by Ann Alex).
Readers will be able to tell from the above list that this was an informal, lively, thoroughly enjoyable session, with lots of mixing and matching, and people trying instruments that they don’t play so often.  I could maybe find myself on drums next time, so bring earplugs just in case. 
Sorry if I’ve missed anyone, but my excuse is that it was also a very sociable afternoon with lots of chatting, though that didn’t stop us from listening to some fine interpretations of standards such as Can’t Believe That You’re In Love With Me (Pete G totally on form, many solos, lovely constant whisk, whisk of cymbals); How High The Moon (led by a tenor sax); Ain’t Misbehavin’ (young Joel on keys cutting across with chords, less is more); Green Dolphin Street (sliding alto sax, contrasted with Stu’s more staccato tenor); All The Things You Are (Stu has switched to bass guitar); Pete back on keys for Fly Me To The Moon.  
We singers did our bit, Fiona with Softly As In A Morning Sunrise and a beautifully sung God Bless The Child, every word had meaning; I did Secret Love, which went well, with many solos, even from Pete on drums; Jenny did a skilled version of a difficult song, Speak Low.  One more tune from the band and that was it for another smashing week.        
Ann Alex.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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