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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Tuesday November 21

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free. New weekly mainstream session. 2 mins from Monkseaton metro.
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Evening

Jam session - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 0191 222 9882. 8:00pm Free. Session led by Mark Williams.

Omar Sosa + Seckou Keita - Sage Gateshead, St Mary’s Square, Gateshead NE8 2JR. 0191 443 4666. 8:00pm. £21.80. Sage Two.

Gypsy Jazz Jam - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. Doors 7:00pm. Free. ‘No audience as such – everyone is a player/musician or a gypsy!’

Charles Gordon - Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 0191 233 1010. 10:00pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, March 19, 2014

Gavin Lee’s Dixieland Band @ The New Inn, Durham. March 18

Gavin Lee (clarinet & tenor saxophone), Alf Langthorne (keyboards), Tom Darbyshire (double bass) & Jimmy ‘Stix’ Robinson (drums) + June Francis (vocals)
(Review by Russell)
The New Inn, in the heart of Durham City, drew a crowd of Durham University’s Bright Young Things to watch Chelsea v Drogba in the Champions’ League on big screen tvs and to sit and drink beer, chat and remain oblivious to the jazz band in the corner. Gavin Lee’s Dixieland Band set up with a minimum of fuss, covering, then pushing the pool table to one side – a familiar tale of the well-appointed jazz venue!
A sprightly Lady Be Good followed by When Mabel Comes in the Room (from the Broadway hit Mack and Mabel) warmed-up Lee’s liquorice stick ahead of Fats Waller’s Stealin’ Apples. The clarinettist remarked that Peanuts Hucko regularly played the tune, adding: Peanuts wasn’t his real name… it was Cashew. So, we got humour in addition to some hot clarinet! Vocalist June Francis got up to sing the first of several numbers – Bei Mir Bist du Schoen or as Lee quipped: If you don’t understand Yiddish that was ‘My Beard Needs a Shave’. Francis stayed on for a bossa version of This Masquerade. The first set flew by and drew to a close Basie-style Swingin’ the Blues.
Another pint of Taylor’s Landlord (rarely seen on the bar these days, yet this was the second sighting in three days of the legendary brew, the first being at the Bridge Hotel, Newcastle) and a chat with Gavin Lee about all things jazz made for an enjoyable interval.
Second set, football forgotten, Herbert ‘Happy’ Lawson’s Anytime led to Moonlight in Shotton Colliery, Herman’s Woodchopper’s Ball and with the return of June Francis, Lee switched effectively to tenor on Blue Moon, a breezy Blue Skies and an excellent take on A Weaver of Dreams.
The evening’s entertainment ranged far and wide from any Dixieland strictures; The Purple Rose of Cairo (Lee clarinet), the rhythm section – Alf Langthorne (piano), Tom Darbyshire (double bass) and ‘Stix’ Robinson (drums) – played it rumba on Night and Day and the Van Heusen/Burke classic Here’s That Rainy Day heard Francis and once more the tenor of Lee. Good beer, good crack, good jazz. Get along to the New Inn, nine o’clock Tuesdays.       
Russell.                     

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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