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Bebop Spoken There

Ken Peplowski: I try to play the clarinet like a clarinet and not like a guy doubling on another instrument.– (Down Beat July 2004).

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James Morrison: “I’m not a trumpet player that doubles on flugelhorn. I’m a musician that plays trumpet, flugelhorn, euphonium and the rest. – (Jazz Journal January 1992).

Archives.

Today Thursday January 19

Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068.
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Tees Hot Club w. Jeremy McMurray (keys); Mark Toomey (alto). - Dorman's, Oxford Rd., Middlesbrough. 8:30pm. Free.
New Orleans Preservation Jazz Band - Oxbridge Hotel, Oxbridge Lane, Stockton on Tees. 8:30pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, March 31, 2014

Double LP Review: Nat Birchell Quintet - Live in Larissa... Divine Harmony in Duende Jazz Bar.

Nat Birchall (ten/sop/bells.perc); Adam Fairhall (pno); Corey Mwamba (vbs/bells); Nick Blakka (bs); Paul Hessian (dms).
(Review by Lance)
Although my review copies were on CD this interesting double album is available only on vinyl or Download.
Recorded live in the Duende Jazz Bar, Larissa, Greece, Birchall took this decision after listening to the tapes. His conclusion was that the music really suited the warmth of vinyl although I've no complaints about the CD sound.
Those familiar with the musicians, and one sometimes gets the impression that Corey Mwamba is a Tynesider such are his frequent visits to the region, will know that this isn't going to be a stroll in the park. Infinite variety are the core words here. Tenderness and romance midst multi-coloured textures sooth the savaged breast and whilst the temperature in the pet shop reaches extremes during the freer moments I don't think the inmates were burnt, maybe just a little singed. In other words, it's contemporary but accessible.
Birchall excels on both tenor and soprano. John Coltrane, from Clifford Jordan's Glass Bead Games album takes up all of side one and the tenor playing is indeed very Tranelike. Solos all round with Mwamba, Fairhall, Blakka and Hessian all stretching out.
Alice Coltrane's Journey in Satchidananda is the opener to the second album and here Birchall achieves an almost clarinet-like fluency as he takes lines inspired by Pharoah Sanders on the original Alice Coltrane recording. Listen too to Fairhall on piano logically taking Birchall's solo in his own direction before handing the baton to Blakka on bass. After the bassist's melodic interlude it's back to Birchall for a fade out finish.
World Without Form is from Birchall's previous studio album of the same name. In fact several of the tracks on this live recording were also on the studio recording. I haven't heard the earlier recording so I'm unable to compare but if it is anything like this one then maybe a coin will have to be spun. Alternatively spin several coins and buy both albums.
Nat Birchall Quintet - Live in Larissa... Divine Harmony in Duende Jazz Bar is available from April 28 on Sound Soul and Spirit Records NB 003 (Distribution by Kudos).
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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