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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Friday May 24

Afternoon

Jazz

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Giles Strong Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening.

Blues/Soul/Funk

Dave Kelly & Christine Collister - Gala Theatre & Cinema, Millennium Place, Durham DH1 1WA . Tel: 03000 266 600. 8:00pm. £18.00.

The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

Groove-a-matics - Lindisfarne Club, West St., Wallsend NE28 8LG. Tel: 0191 262 4258. 9:00pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, March 14, 2014

CD Review: Trio Riot Trio Riot

Mette Rasmussen (alto saxophone), Sam Andreae (tenor saxophone) & David Meier (drums)
(Review by Russell).
The eponymous debut CD from Trio Riot, recorded in November 2012, documents the trio’s instant impact as a gigging band. Described as a ‘punk-jazz’ outfit, formed in Helsinki in 2009, inspiration is drawn from twentieth century musics – contemporary composition, jazz, punk and a healthy dose of Zappa irreverence. The opening track – 3 – recalls NYC’s pranksters The Hub; killer articulation, guessing-game switch-back writing. Lala-Lala, heard live on previous tours, develops an irritating hook until Sam Andreae’s rasping tenor briefly breaks free. An audible ‘Yeah’ reigns in the tenor, hook reinstated and they take it out.
Drummer David Meier’s Rondeau adopts the classical form; repetition, twin horn unison work, powerhouse percussion work from the composer. Mette Rasmussen’s I’m So Glad It Wasn’t Me opens with a similar repetitive motif then breaks down into improv mode, returning once more to the hook. Rasmussen’s Candid delivers a further short, insistent riff, the piece itself brief. Stop-start motifs abound on the recording and Bartstock maintains the thread as vigorous blowing is heard atop Meier’s hard-hitting rhythmic patterns. Dadadadadadada doesn’t take itself too seriously – with a title like that how could it? Comic cuts, shotgun drumming, done. 31 embraces an extended free form section (the trio in peak form), a welcome diversion from the strict structures of what has gone before. Joy Division’s Disorder puts a handle on things (the repetitive percussive feel) and The Last Hurrah, mellow, melodic, atypical, closes the album. Trio Riot’s Trio Riot is released on Efpi (www.efpirecords.com) on 17th March. Tour dates include London’s Vortex (March 24), Jazz Café, Newcastle upon Tyne (March 25) and Free Range in Canterbury (March 27).          
Russell.

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