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Bebop Spoken There

Jackie McLean: “I can't understand British audiences. In Britain there doesn't seem to be any curiosity." (Melody Maker, April 1, 1961).

Charles Mingus: "It seems to me that if our records were not issued in Britain, the British cats would have to think for themselves" (Jazz News, July 26th 1961)

Archives.

Today Wednesday July 26

Afternoon
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.
Jo Harrop & Joel Byrne McCullough - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle NE2 2AE. 7:30pm. No cover charge. 7:30pm. 0191 2399924
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, March 11, 2014

CD Review: Jason Rebello – Anything But Look.

Jason Rebello – keyboards, bass, backing vocals; Troy Miller – drums, guitar, percussion; Pino Palladino –  bass; Karl Rasheed-Abel – acoustic  bass; Paul Stacey – guitar; Jeremy Stacey – drums; George Rebello – drums; Miles Bould – percussion; Tim Garland – flute, bass clarinet.
Guest vocalists – Joy Rose, Omar, Jacob Collier, Xantone Blacq, Will Downing, Sumudu Jayatilaka, Alicia Carroll, Aja Downing.
(Review by Debra M.)
 Since his emergence in the late 1980’s, pianist Jason Rebello’s musical versatility has taken him all over the world, playing and recording with mainstream artists such as Sting, Jeff Beck and Peter Gabriel.  ‘Anything But Look’, an album of soul infused jazz,  pulls together his many influences,  and features his new trio of Karl Rasheed-Abel on acoustic  bass & Troy Miller on drums, plus a host of guests.
Opening with the funky ‘Know What You Need’,  Omar’s warm rich tones  fit right into the groove.  In the following   ‘Man On The Train’, the lighter, sweeter voice of Sumudu Jayatilawa  tells the tale of a middle aged commuter fascinated by a beautiful young woman on a train, literally a vehicle  for reflection on the outward signs of ageing, masking  the inner youthful soul. Well we might have heard  that story before, but probably not with this combination of musical charm and lyrical poignance. The melodic, groove  filled pieces  give  plenty of scope for  Rebello’s improvisation,  underpinned by  tight dynamic arrangements,   pivotal to which are Troy Miller on drums (who also produced & mixed  the album) and bassists Karl Rasheed-Abel and Pino Palladino.  A  recurring  device is Rebello’s use of vocal and keyboard melodic  lines  in unison, particularly effective in the time signature shifting ‘In The Thick Of It’, where  Jacob Collier’s voice is used entirely instrumentally. Two of the tracks were composed with guest vocalists; the single  release ‘New Joy , sung and co-written by Joy Rose, is a slow funky number, and also includes Tim Garland on bass clarinet. The second  is the  potential  floor  filler ‘Lighten Up The Load’ featuring  Xantone Blacq, which has a Latin  feel with layered grooves and rhythms, reminiscent of Stevie Wonder around the time of ‘Songs in The Key of Life’. In contrast, the jazz rocks in ‘Dark Night Of The Soul’ featuring the operatic  Alicia Carroll, and ‘With Immediate Effect’ , the latter with Jeremy Stacey on drums and Paul Stacey on guitar.  Rebello’s  career so far has been diverse and accomplished, but in his return to  his own  compelling  jazz project  ‘Anything But Look’ he has created an outstanding  album .
CD available from www.jasonrebello.co.uk
Debra M.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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