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Bebop Spoken There

Jim Hall: "Won't play loud, can't play fast" - (From one of the great guitarist's business cards brought to our attention by Roly Veitch).

Joel Harrison: “It’s incredibly hard to play bebop on guitar, harder than on saxophone.” – (Jazz Times August 2015)

Sir Thomas Beecham: "Forget about the bars. Look at the phrases, please. Remember that bars are only the boxes in which the music is packed" - (Beecham Stories by Harold Atkins & Archie Newman. Robson Books, 1978).

Today Wednesday June 28

Afternoon.
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.
Chris Sharkey Trio - Jazz Café. 25 Pink Lane, Newcastle NE1 5DW. 8pm. £5/Students free - voluntary donation.
Levee Ramblers NOJB - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:30pm. £3.00.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, February 14, 2014

Two Is an Odd Number! - Paul Edis and Graham Hardy @ the Lit.& Phil, February 14.

Paul Edis (piano) and Graham Hardy (trumpet and flugelhorn).
(Review/Photos by Jerry E.)
Two is an odd number at most jazz gigs but, as was flagged up on Bebop and elsewhere, there are precedents such as Louis and Earl. Anyway, on Valentine’s, I suppose, a trio would be a crowd! And there were some appropriate song-choices for the day: I Loves You Porgy and La Vie en Rose for example. The Gershwin is even more romantic as introduced by one bandleader: ”written by George Gershwin and his lovely wife, Ira”! There was also My Valentine (Funny) which for me WAS an odd number not least because I never found the remembered melody, even in the middle!
A counter-note was sounded by You Don’t Know What Love Is and an Edis/Hardy original called You Talkin’ to Me? These titles sounded, respectively, like the precursors of a domestic and a saloon-bar brawl! The set-list was completed by some more neutral titles: Ellington’s Black and Tan Fantasy; Bernard Herrmann’s Theme from Taxi-driver; Bach’s Two Part Invention (Number 4) and Miles Davis’ Sipping at Bells.
Graham played about 50/50 trumpet/flugel and added a variety of effects by deploying an array of plungers and mutes including, on La Vie en Rose, a “Mel-O-Wah” mute which I don’t think I’ve seen before. It was perfect for the tune!
Paul, too, played in a range of styles from classical to (his word, not mine) “schmaltzy” and also surprised me on You Don’t Know What Love Is by ceremonially removing his jacket as if to perform a conjuring trick, dismantling bits of piano and then playing with one hand on the keyboard and the other INSIDE the piano, which I am positive I have not seen before! I have dubbed the resultant sound “Edwardian Funk” – a bit like playing keys and bass simultaneously! I’d be grateful to anyone who could fill me in on the correct terminology. For a one-hour concert the tunes chosen were incredibly varied.
There was a good audience (40+) and they seemed to enjoy it all judging by the applause which built as the set unfolded.
My personal favourites today were the last three – Bach, Davis and Piaf. Odd bedfellows, I know, but all astonishing, delightful and oh, so well played!
This was the first of six lunchtime concerts at this venue: next up is The Ruth Lambert Trio on March 14.

Jerry.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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