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Bebop Spoken There

John Tynan: "Go ahead, call me reactionary. I happen to object to the musical nonsense being peddled in the name of jazz by John Coltrane and his acolyte Eric Dolphy." - (Downbeat November 22, 1961).

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McCoy Tyner: "If anyone want to know how the three of us - Elvin, Jimmy and me - felt about John [Coltrane], listen to the music and you can hear the love and respect we had for each other. The music can really speak more than any of us." - (Melody Maker, August 19, 1967).
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Today Monday April 24

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Evening.
?????
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, February 23, 2014

Ruth Lambert Trio @ The Jazz Café. February 22

Ruth Lambert (vocals), Giles Strong (guitar) & Mick Shoulder (double bass) + Graeme Wilson (tenor saxophone) + Ray Burns (harmonica)
(Review by Russell).
Saturday night at the Jazz Café, the listeners’ seats taken, an obscured-view seat the next best option. A bottle of Prince Bishop at hand, hello to Ruth, note pad at the ready in the absence of Bebop Spoken Here’s Main Man (‘Man Flu’, apparently). Ms Lambert’s trio, a perfect fit for the venue, kicked off with You and the Night and the Music. Remarkably, those in attendance ceased conversation, opting to listen. Hoagy’s masterpiece – Skylark – followed. 
How to follow that? More Songbook classics, that’s how. You’d Be So Nice to Come Home To featured guitarist Giles Strong. Space at a premium, Lambert squeezed up against the upright piano: Not quite the Fabulous Baker Boys! quipped our vocalist. A first class selection of tunes comprised the remainder of the first set – Bonnie Raitt’s  Love Me Like a Man (Graeme Wilson sat in), all excelled, Angel Eyes (Wilson featured) and That Old Feeling. The Big Lamp beer supply exhausted, the equally palatable Workie Ticket (Mordue) went down a treat (a bit like substituting George Best with Lionel Messi).
Second set…’the ABC of it’…Lambert fronting the Customs House Big Band! No, this was the trio format – Teach Me Tonight. A switch to up tempo material – How High the Moon was all but eclipsed by No Moon At All (superb, effortless vocals). How Insensitive took it down, coinciding with an alcohol-fuelled increase in the volume of audience chit-chat. How insensitive, indeed. Alright, okay, the audience wins. Crank it up with West Coast Blues, that’ll show ‘em! For an encore, Ms Doris Day! A Secret Love. I don’t’ know about those Baker Boys but one thing is for certain – we were listening to the Fabulous Ms Ruth Lambert.        
Russell

1 comment :

  1. a good revue Russell, I was humming along as I read, bringing those lovely numbers to life. Thank you

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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