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Bebop Spoken There

Danny Gatton: "I was tired of playing in beer joints. I wanted to do something tangible like building cars. But once you do music it gets into your blood. You can get away from it for awhile but sooner or later it comes back to you." - (Down Beat April 1991).

Tal Farlow: "There were times when I would stop [playing guitar] and do sign painting." - (Downbeat December 5, 1963)

Archives

Today Sunday August 20

Afternoon.
Mark Williams (solo guitar) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 12:30pm. Free.
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Blues @ The Bay - Tanner Smith's 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Free. Blues jam w. Scott Wall & Charlie Philp.
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Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free. Summer Break. Back Sept. 3
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Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
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Evening
Chris Martin - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.
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Paul Edis Trio - Black Bull, Bridge St. Blaydon NE21 4JJ. 8pm. £5.
To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, February 10, 2014

PG3 + 2 @ Salsa Café February 8

Pete Gilligan (Keys) Paul Grainger (D.Bass) Steve Summers (Sop & Tenor Sax) Don Forbes (Trumpet)  Tim Johnston (Drums)
(Review by Kath Jobes).
Salsa Café was buzzing when I arrived, my friend Emma had managed to get a table near the front, close enough to smell the saxes! Steve Summers had brought along two plus his usual selection of percussion for the Latin numbers… already I could see this was going to be a good night! 
Don Forbes led the band off with a lively There Will Never Be Another You, then came the first of several Horace Silvers numbers… and Pete was in his element with Silver’s SerenadeTokyo Blues saw a superb trumpet solo from Don and I was so impressed I missed the name of the next number… sometimes I’m just having too much fun!  
Summer in Central Park continued the Silver theme, and one could almost see the silvery sparkles as Pete Gilligan tinkled lightly over the keys to this gentle tune. Quick Silver was lively and demonstrated the skills of each member of the band as they exchanged 4s... I love the way these guys just bring a smile as they introduce a quick riff of Oh You Beautiful Doll near the end of the tune… truly delightful! A change of sax to soprano for Steve Summers and a gorgeously gentle and haunting account of Lonely Woman that was followed by Beautiful Love to bring the first set to a close.
Set two saw the percussion talents of Stevie Summers as he played Cabasa during Liberated Brother, while Tim Johnstone used mallets and softly set the Latin groove. This groove continued and during Nica’s Dream Steve played both Pandeiro and Sop Sax, switching seamlessly from one to the other.  I Remember Clifford saw the return of the tenor to accompany Don Forbes, and then the band took us to Nutville before another gentle ballad aptly named Peace.   It seemed that peace didn’t last for long as the band struck up a lively rendition of Oleo.  The final number saw the return of a delightful riff this time from singing in the rain… yes indeed, it was of course Come Rain or Come Shine… and shine they did. As Paul Gowland, who arrived towards the end of the night, having been working elsewhere, then proceeded to write on my notepad at the end of my notes… Band was Brill!
Kath J.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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