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Bebop Spoken There

Eubie Blake: “He [Willie The Lion Smith] played some tricky rhythms, if he'd seen them written down, he'd have said "Oh I couldn't play that", but he played them!” – (DownBeat May 24, 1973).

Mel Lewis: “They [kids] think the word "technique" means speed. The word "technique" just means the way you do something, that's all.” – (DownBeat July 19. 1973).

Today Tuesday April 24

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

Maine Street Jazzmen - Royal British Legion Club, West Jesmond Ave., Jesmond, Newcastle NE2 3EX. 8:30pm. £5.

Gerry Richardson Trio - The Fox, West End Terrace, Hexham NE46 3DB. Tel: 01434 603681. 8:30pm. Free (collection). Richardson; Garry Linsley (alto sax) & Adam Sinclair (drums).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, February 27, 2014

CD Review: Matt Newton Trio - Within Reach

Matt Newton (pno); Dan Fortin (bs); Ethan Ardelli (dms) + Felicity Williams (vcl); Harley Card (gtr).
Long gone are the days of the traditional trio where the piano was the predominant instrument and bass and drums merely supportive players. And let's not knock it - the trios of, for example, Oscar Peterson, Bud Powell, Teddy Wilson, Erroll Garner and others laid down some of the finest examples of jazz piano the world has known. However, there were others arriving on the scene looking to advance and develop the trio format, allowing more freedom to the bassists and drummers. EST and Brad Meldhau were two at the forefront of this keyboard revolution - a revolution carried forward by the Canadian trio of Matt Newton.
Within Reach, their second CD, comprises seven originals by Newton and one by bassist Fortin. Various moods are encompassed from the funky to the romantic. Ardelli and Fortin, not content to be mere timekeepers, add their own lines - three different routes to the one destination. It works well particularly in the delicate Building the Ship. The addition of Williams' wordless vocals and Card's chords to Our Own World create an ethereal floating space effect.
This is a disc for the thinkers rather than the foot-tappers. One to listen to and absorb the harmonies, wallow in the overall richness of sound.
If you caught the trio last week at Ottawa, Montreal or Toronto you've probably got the disc already. If not then now's the time.
Lance.

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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