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Bebop Spoken There

More from Jazz Monthly:

Jack Cooke: "...neither Giuffre nor Jim Hall are even adequate jazz musicians, they are technically limited, and more importantly, seem unable to improvise logically" - (Review of a JATP concert. Jazz Monthly May 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Friday October 20

Afternoon
Rendezvous Jazz - The Monkseaton Arms, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.

Hand to Mouth: Lindsay Hannon & Bradley Johnston - Bishop Auckland Town Hall. 1:00pm. £5.00.

Vasilis Xenopoulos & Paul Edis - Lit & Phil, 23 Westgate Rd., Newcastle NE1 1SE. 1:00pm. £5.00.

Evening
Julija Jacenaite & Alan Law - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. Free.

King Bees - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

Vasilis Xenopoulos & Nigel Price w Paul Edis Trio - Traveller’s Rest, West Auckland Road, Cockerton, Darlington. DL3 9ER. 8:30pm. £10.00. Opus 4.

Hot 8 Brass Band - Northumbria Students’ Union, Sandyford Road, Newcastle NE1 8SB. Tel: 0191 227 4757 (SU enquiries). 7:30pm. £20.35.

Twin Beam - Hidden Heights Creative Studio, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Beth Macari - Prohibition Bar, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Sting - Bamburgh Castle. 7:15pm. Tickets: £250.00. & £150.00. Acoustic. Charity gig.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, February 05, 2014

CD Review: Lauren Kinhan – Circle in a Square

Lauren Kinhan – vocal; Andy Ezrin – piano, Fender Rhodes & B3 organ; Ben Wittman – drums & percussion; David Finck – bass; Will Lee – bass.
Special guests: Randy Brecker – trumpet; Romero Lubambo – guitar; Chuck Loeb – guitar; Donny McCaslin – tenor saxophone; Joel Frahm – tenor saxophone; Gary Versace – accordion; Peter Eldridge – piano.
(Review by Debra Milne).
Lauren Kinhan is an established  American jazz singer and songwriter, best known  for her  longstanding involvement in New York Voices , and also as a member of  ‘vocal supergroups’  Moss and  JaLaLa, the latter a trio with Manhattan Transfer ‘s  Janis Siegel and Laurel Masse. Circle In A Square is her 3rd solo album, and is composed of entirely original material, recorded with a core of longstanding musical collaborators and a host of special guests. She  co-produced the project with Elliott Scheiner , whose  previous credits  include  albums with Steely Dan,  Sting, Paul Simon & BB King , and no less than 7 Grammys. 
The album showcases Kinhan’s   soul  infused  jazz voice, particularly  in  the up  tempo numbers. However, the  first and  title track, inspired by her husband’s love of his record collection,   starts  quietly with  Brecker  & Ezrin accompanying sparingly on trumpet and  Fender Rhodes , before the rhythm section kicks in with a laid back groove. I’m Looking For That Number is particularly funky, augmented by a punchy horn section, with one of several great solos from Ezrin, this  time  on B3 organ .  Kinhan’s  soulful delivery is  particularly  effective  in Another Hill To Climb,  where  the  piano and string quartet augment  the developing emotion of  the vocal.  In contrast, Chasing The Sun is a rhythmic, groove based, Latin infused, wordless piece, composed of  layers of voices and instruments, overlaid  with scat  improvisation and Romero Lubambo’s  solo on guitar. 
A  straightforward  piano trio  suffices in  the contemplative We’re Not Going Anywhere Today, and her excellent intonation and scatting  are highlights of the  bebop style Bear Walk, which also features  a  fine electric bass solo from Will Lee,  and Randy Brecker on trumpet.  Kinhan  makes a distinctive contribution to the shoe- related musical canon  with Chaussure’s Complex, a sensuous tango featuring Gary Versace on accordion , although  it is unlikely to  displace Kirsty McColl, Paul Simon or  Elvis Costello  as  leaders of the  Footwear Top Ten*. Nevertheless, Circle In A Square is an impressive  album, which  captures  this  singer and composer  in  the prime of her musical career.
[*In These Shoes?; Diamonds In The Sole Of Her Shoes; The Angels Wanna Wear My Red Shoes]
Lauren Kinhan: Circle in a Square is available on Dotted i Records. Sample.
Debra M.

3 comments :

  1. Hi Lance and Debra, Lauren Kinhan, here. Thanks for the strong nod. I'm having the time of my life touring this music and expanding as an artist. I hope these shoes carry me to England sometime soon.
    Cheers, Lauren

    ReplyDelete
  2. Shoes? Vagabond Shoes (Vic Damone); These Boots Are Made For Walkin' (Nancy S.); Hi Heel Sneakers (Stones/Buddy Guy); Sand in my Shoes (Connie Boswell); Boots (Rudyard Kipling) any more footwear suggestions?

    ReplyDelete
  3. Eugene says 'The Low Spark of High Heeled Boys' by Traffic & Lauren may be interested to know my husband is getting out the vinyl now to play it!

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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