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Bebop Spoken There

Anat Fort: "In order to play and tour with people and spend a lot of time with them, you need to get along with them" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Sunday May 26

Afternoon

Jazz

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

More Jam - The Globe, Railway St., Newcastle NE4 7AD. 3:00pm. Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free. Jam session with house trio.

Northern Monkey Brass Band - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 11:30am (street set) & 1:00pm stage set. Whitley Bay Carnival.

Somethin' Blue - Vesuvio, Houndgate, Darlington DL1 5RL. Tel: 01325 788564. 5:00-7:00pm. Free.

Geordie Jazz Man - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 5:30pm. £10.00. Screening of Abbie Lewis’ documentary film about Keith Crombie & the Jazz Café.

Gavin Lee: Reg Wall's New Orleans Ragtime Band - Shotton Colliery Officials Club, Shotton Colliery DH6 2JS. 5:30pm.

Blues

King Snake - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

Back to Basics - Quakerhouse, Mechanics' Yard, Darlington DL3 7QF. Tel: 01325 245052. 6:15pm. Free. Set lists available, for details Facebook Darlington Jazz Club.

Federica Michisanti’s Trioness - Bridge Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 260 3246. 8:15pm. £10.00 (£8.00 conc.). JNE.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, February 03, 2014

Ant Law Quartet @ The Bridge Hotel. February 2













Ant Law (guitar), Michael Chillingworth (alto saxophone, clarinet & bass clarinet), Tom Farmer (double bass) & James Maddren (drums)
(Review by Russell/Photos by Ken Drew)
A return visit to the Bridge by the Ant Law Quartet. In 2013 guitarist Ant Law’s Newcastle debut made a big impression and with the same line-up of the best of British new wave jazz talent on show this was an eagerly anticipated return gig. This Splinter at the Bridge gig, in association with Jazz North East, attracted the regular first name punters.
Sporting a beautiful Gibson (335?), Law chose to play seated, by no means adopting a front man persona. His band mates contributed in equal measure. Reeds man Michael Chillingworth switched frequently between alto sax (Conn Underslung), clarinet and bass clarinet, alto perhaps his most effective instrument. In demand bassist Tom Farmer, another undemonstrative type, anchored the quartet with a swing time feel in his back pocket and drummer James Maddren could work eight nights a week so in demand are his services.
The first set had a reserved if not downbeat feel. The playing immaculate, the fireworks were kept under lock and key. The intricate interplay mesmerised; big Tal Farlow-like chord stretches, locked-on unison lines between Law and Chillingworth under the watchful eye of Farmer and the ever responsive Maddren.
Second set, things opened up a little. Triviaphobia took flight; a perfectly conceived guitar solo, reeds likewise and the rhythm makers – Farmer and Maddren – nailed on. Two compositions, back to back, formed the centerpiece of the evening, the latter – Parallel People – heard all four musicians pushing it to the limit.
The Ant Law Quartet should be heard by all and sundry. If you weren’t at the Bridge Hotel then get to the Lit and Phil pronto. The guys are there this Monday lunchtime (Monday February 3), 1:10 pm start, £4.00. at the door. Highly recommended.                      
Russell.

1 comment :

Ann Alex said...

What brilliant photos on this post. I think this gives the 'feel' of the gig, even though I wasn't there, I was at a folk club at the time I must confess.

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