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Bebop Spoken There

Jeremy Pelt: "In my experience, the hottest player on the scene is almost always the most annoying motherfucker on the scene because they know that they're hot." - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Sunday May 19

Afternoon

Jazz

Anth Purdy: Swing Jazz Guitar - Blyth Battery, The Links, Blyth NE24 3PQ. 10:00am-4:00pm. Free. 'Blyth Battery Goes to War Weekend'.

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

Alice Grace & Ben Helm - Bonbar, Fenkle St., Newcastle NE1 5XU. Tel: 0191 232 8695. 1:30pm.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free. Jam session with house trio (James Harrison, piano).

Blues

Memphis Cruisers - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 3:00pm. Free.

Archie Brown & the Young Bucks - The Schooner, South Shore Road, Gateshead NE8 3AF. 5:00pm. Free.

Evening

Jazz

Sue Ferris Quintet - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Blaydon Jazz Club.

Philip Clouts Quartet - The Globe, Railway St., Newcastle NE4 7AD. 7:30pm. £10.00 (£7.00 student).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, December 22, 2013

Simon Spillett Quartet @ The Oval Tavern, Croydon.

Simon Spillett (ten/sop); Ted Beamont (pno); Tim Wells (bs); Trevor Tompkins (dms).
(Review by Lance).
Simon Spillett never fails to impress. With a technique that outstrips most of his contemporaries (with each hearing he seems to add an extra hundred notes per phrase!) And yet, these aren't mere hip arpeggios but meaningful usage of the tools at his command. He is a walking, living, Jazz Courier with Tubby's technique and Ronnie's laconic sense of humour.
The 73 bus, the train and the walk to the oak beamed pub was well worth the effort. I don't know if the beams are genuine but the music certainly is. And if the beams are genuine oak then, because of the low ceiling, they ran risk of being somewhat singed as the notes flew upwards with the ferocity of a Xmas fireworks display.
The tenorman was in good company. Ted Beamont matched Spillett's excitement with some explosive solos of his own that exploited the chordal possibilities of the keyboard building up to incredible climaxes, Trevor Tompkins was described by Spillett as one of the finest drummers in this room today - and far beyond he may well have added. Tim Wells was at the heart of things soloing superbly throughout and holding it all together.
When he's not intent on going for world records Spillett can also display a romantic side to his playing e.g. sensitive readings of I Thought About You, Here's That Rainy Day, A Nightingale Sang in Berkeley Square and Someday My Prince Will Come - this latter tune on soprano. The first time I'd heard him on soprano and the first time I'd saw him sporting a beard. I wonder if the two are connected?
Simon Spillett is, he tells me, doing a JNE gig next month. One to look forward to. More details when JNE release the information.
Photos.
Lance.
Possibly more photos to follow...

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