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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Thursday November 23

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:00pm. Free.

Evening.
Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE.

Group Theory - The Globe. 7:30pm. £5.00. Superb Durham University quartet. Dan Garel (alto), Tom Burgess (guitar), Dylan Purches (double bass) & Tristan Bacon (drums).

BABMUS - Jazz Café, Pink Lane, Newcastle NE1 5DW. 8:00pm. £3.00. (£2.00. concs.).

TBA – Railway, Wellington St., Gateshead. 8pm.

Tees Hot Club w. Kevin Eland (trumpet); Josh Bentham (sax); Ted Pearce (keys) - Dorman’s, Oxford Road, Middlesbrough TS5 5DT. 9:00pm. Free.

Skidoo 52: The Joint Is Jumpin’ - Boldron Village Hall, County Durham DL12 9RN. 01833 638210. 7:30pm. £9.00. adult, £20.00. family.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, October 11, 2013

Roly Veitch / Sue Ferris Trio @ The Gala, Durham.

Roly Veitch (gtr); Sue Ferris (ten/fl); Andy Champion (bs)
(Review and photo by Jerry)
As a lunchtime jazz venue, The Gala is new to me: very new! A big, long room it needed to be with almost all seats taken by an estimated 80-90 people), with bright lights, shiny chrome, and laminate floors. For all the glass and laminate, the acoustics are actually very good and the jazz served up was excellent.
The line-up was visually reminiscent of John Cleese “looking down on” the Two Ronnies with Andy, on the left, towering over Sue, in the middle, who didn't “tower” but still out-topped Roly! To be fair to Roly, he was sitting down! Solos for all in the opener, All of Me, set the tone and showed that, musically, all were equal here! Beautiful Love featured an excellent bass solo which made me think of Rondo alla Turca (don’t know why!) and There Will Never Be Another You brought vocals from Roly and some nice interplay between guitar and sax.
My Romance had foot-tapping sax and subtle guitar (not bad for one weaned, according to the programme notes, on Hank Marvin!) but struck me most for the Lorenz Hart lyrics in which he rejects all the clichés and handy love-song rhymes – moon, lagoon, month of May, hideaway – to assert that all he needs is “you”. Clever stuff, a cut above most lyricists post-1950 and one of the delights, today, of listening to such a fine selection of standards. “Fine” (and also with excellent lyrics) describes their next treat: Kern / Hammerstein’s All the Things You Are.
Bonfa’s bossa nova, Manha de Carnival/A Day in the Life of a Fool illustrated, for me, how the whole mood of a composition can be changed by the instruments on which it is played. I know this tune best as “Black Orpheus” and have always heard it with trombone taking the lead. With no drums, with mellifluous, skipping flute instead of lugubrious trombone and with a galloping bass solo thrown into the mix, it is altogether lighter: A Day in the Life of a HAPPY Fool as opposed to The Tears of a Clown.
Then, aptly, we had Autumn Leaves (which I was trying to brush up this morning) during which I was craning my neck to see who was “brushing” the drums during the bass solo: it was Roly, oh-so-gently strumming in a most un-Marvinlike way!
The Sinatra favourite, In the Wee Small Hours brought gentle vocals and lyrical flute – a beautiful rendition of Sinatra’s “sublime”. The blues, Sandu, closed the set with rasping sax and foot-tapping solos, after which time had flown to the extent that none was left for us to Look for the Silver Lining (number 10 on the programme) – but we needed no consolatory advice: it had been great!
Jerry.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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