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Bebop Spoken There

Wayne Escoffery: "My philosophy is keeping one foot in the past and one foot in the future" - DownBeat March 2018.

Scott Bradlee: “When audiences hear it [Sweet Child O’ Mine] there’s a lightbulb moment when they recognise the song’s hook, even though it’s in a different context. They’re so used to hearing it one way that it causes some cognitive dissonance. If it’s a song they’ve disparaged in the past and they now find themselves liking it, that’s really interesting to me” DownBeat March 2018.

Today Monday February 19

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, October 14, 2013

Rachael Cohen Quartet @ The Bridge, Newcastle Oct. 13










Rachael Cohen (alt); Tom Ford (gtr); Calum Gourlay (bs); James Bashford (dms).
(Review by Lance. Photos by Ken Drew.)
The disappointment guitar buffs may have felt at the replacement of Phil Robson by Tom Ford was swept away within 32 bars! Young Ford is a comer and his solos were as good as anything I've heard from most guitarists lately. Watch out for this guy.Brilliant as Ford was - and he was - nothing could detract from Rachael Cohen's alto playing.
A tone that, even unmiked, is absolutely beautiful. Imagine Johnny Hodges in one of his less effusive moments coupled with say Ernie Watt's contemporary approach and you've got the idea. The gal played an Ornette Coleman number that shred Ornette's wild aggression and made the piece her lyrical own.
Monk's Ask Me Now, reworked as Ask Me Later, was a wing ding! No flurry of fingers covering a paucity of ideas with technique but a genuine exposition of my favourite Monk ballad. Ask Me Now? Ask Me Later? Played like this -  Ask Me Any Time
Calum Gourlay is a bassist to enhance any band and he did just that. James Bashford - what a name for a drummer! He ultimately proved more subtle than his name implied. playing cross rhythms that worked in a contrapuntal manner with what the others were doing - almost like a fugue. He also laid down the beat when needed.
This may have been the shortest ever Splinter gig but, on a quantity/quality ratio, it has to be pretty high on the best gigs list.
Lance.


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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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