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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Thursday November 23

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:00pm. Free.

Evening.
Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE.

Group Theory - The Globe. 7:30pm. £5.00. Superb Durham University quartet. Dan Garel (alto), Tom Burgess (guitar), Dylan Purches (double bass) & Tristan Bacon (drums).

BABMUS - Jazz Café, Pink Lane, Newcastle NE1 5DW. 8:00pm. £3.00. (£2.00. concs.).

TBA – Railway, Wellington St., Gateshead. 8pm.

Tees Hot Club w. Kevin Eland (trumpet); Josh Bentham (sax); Ted Pearce (keys) - Dorman’s, Oxford Road, Middlesbrough TS5 5DT. 9:00pm. Free.

Skidoo 52: The Joint Is Jumpin’ - Boldron Village Hall, County Durham DL12 9RN. 01833 638210. 7:30pm. £9.00. adult, £20.00. family.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 27, 2013

Pink Lane Jazz Co-op: Lindsay Hannon and The Blue Jazz Quartet @ Salsa Cafe, Westgate Road, Newcastle (Part 1)

Lindsay Hannon (vocals); Chris Finch (keys); Jeff Smith (saxes); Dave Parker (bass) Michael Howard (drums) Minus Karen Rann (sop. sax, but away doing an art commission)
(Review by Ann Alex).
I entered to see lots of people eating deliciously at small square tables, but there were seats at the front for those who only wanted to listen.  A lively atmosphere with pleasant food smells and a younger audience than at many jazz gigs.  The band began with three instrumentals, an angular tune - Work Song; Beautiful Love; and Alice In Wonderland. Jeff was in fine soloing fettle, there was a drum and bass section in the second tune, and Chris played lovely lyrical keys, as we've come to expect.  
Lindsay then stepped up with a well improvised At Long Last Love and A Foggy Day In London Town, using neat short phrases, a good variation from the drawling way this song is often sung.  Then came one of Lindsay’s masterpieces, Willow Weep For Me, with heartfelt almost-shouts, a song which always reminds me of Ophelia in Hamlet.  I loved Song For My Father, Latin beats of course, and a drum solo which gave Michael a chance to shine, well to beat, anyway.  The first half ended with Love Me Or Leave Me, with adventurous time variations.  Part 2 to follow.
Ann Alex.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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