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Bebop Spoken There

Wayne Escoffery: "My philosophy is keeping one foot in the past and one foot in the future" - DownBeat March 2018.

Scott Bradlee: “When audiences hear it [Sweet Child O’ Mine] there’s a lightbulb moment when they recognise the song’s hook, even though it’s in a different context. They’re so used to hearing it one way that it causes some cognitive dissonance. If it’s a song they’ve disparaged in the past and they now find themselves liking it, that’s really interesting to me” DownBeat March 2018.

Today Monday February 19

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 27, 2013

Pink Lane Jazz Co-op: Lindsay Hannon and The Blue Jazz Quartet @ Salsa Cafe, Westgate Road, Newcastle (Part 1)

Lindsay Hannon (vocals); Chris Finch (keys); Jeff Smith (saxes); Dave Parker (bass) Michael Howard (drums) Minus Karen Rann (sop. sax, but away doing an art commission)
(Review by Ann Alex).
I entered to see lots of people eating deliciously at small square tables, but there were seats at the front for those who only wanted to listen.  A lively atmosphere with pleasant food smells and a younger audience than at many jazz gigs.  The band began with three instrumentals, an angular tune - Work Song; Beautiful Love; and Alice In Wonderland. Jeff was in fine soloing fettle, there was a drum and bass section in the second tune, and Chris played lovely lyrical keys, as we've come to expect.  
Lindsay then stepped up with a well improvised At Long Last Love and A Foggy Day In London Town, using neat short phrases, a good variation from the drawling way this song is often sung.  Then came one of Lindsay’s masterpieces, Willow Weep For Me, with heartfelt almost-shouts, a song which always reminds me of Ophelia in Hamlet.  I loved Song For My Father, Latin beats of course, and a drum solo which gave Michael a chance to shine, well to beat, anyway.  The first half ended with Love Me Or Leave Me, with adventurous time variations.  Part 2 to follow.
Ann Alex.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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