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Bebop Spoken There

Kathyrn Williams: “I got into Miles Davis when I was a teenager. But I’m nowhere near as knowledgeable as Anthony [Kerr]: he is an encyclopedia of jazz, with a real in-depth, academic knowledge. I’m just a fan.” – (Jazz Journal December 2017).

Christian McBride: "He [Horace Silver] was the whole package" – (Downbeat September 2014).

Today Thursday January 18

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Evening

‘The Death Beat - 1920s’ US immigration policy’ - City Library, New Bridge St, Newcastle NE1 8AX. 6:00pm. Free. Novelist Fiona Veitch Smith talks about her research into the period and its resonance with today’s political landscape. The Death Beat is Veitch Smith’s third novel in her series Poppy Denby Investigates.

Jambone - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. 7:00pm. Free but ticketed.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE. Tel: 0191 488 8068. 8:30pm. Free.

Tees Hot Club w. Kevin Eland (trumpet); Jeremy McMurray (keys); Danny Allan (sax). - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, July 18, 2013

Mississippi Swamp Dogs @ Spice of Life

Jeff Williams (tmb/vcl); Titch Walker (tpt);Simon Picton (gtr/vcl); Manuel Alvarez (bs gtr); Jono Lee (dms).
(Review by Lance)
Outside tney were frying eggs on the pavement, in the basement bar of the Spice - that most ambient of London jazz venues - the Swamp Dogs were cooking Creole Gumbo Chicken a la Jaco.
This is modern day New Orleans although without clarinet. Mercifully, also sans banjo.
From the opening I'm Going Back to New Orleans we knew we were in for a treat. Williams blows a robust, almost ribald trombone that shouts its message at you. Subtlety doesn't live here - it would be as out of place as a nun in a bordello. Pianist Miller took the vocal. Bourbon St. Parade was done as a rhumba and St James' Infirmary as a samba. No slaves to tradition are these guys, finishing off the latter number with the intro to Night in Tunisia!
Walker blistered on trumpet; fat toned wailing choruses that were hotter than the street temperature. Alvarez barbecued the aforementioned Chicken and Miller rocked the 88 on Route 66. Guitarist Picton played and sang as if he'd been born on the corner of Fourth and Vine although in fact he's frae Dundee.
Blue Moon was played over an infectious Ska/Reggae rhythm laid down by Jono Lee. There was more, much more. Williams' vocals, as boisterous as his tromboning, the two horns locked together in glorious harmony, a rhythm section as loose as it was tight when it had to be tight.
Once again The Spice came up trumps - next time you're in town check it out - you won't be disappointed.
Lance.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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