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Bebop Spoken There

Bootsy Collins: "I had no training at all, man. Whatever I heard in my head, that's what came out." - (DownBeat September 2018).

Madeleine Peyroux: "What I'm searching for in singing is the form of communication that doesn't come through language". - (DownBeat September 2018).

Today Monday August 20

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

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Sunday, July 28, 2013

CD Review: Phil Meadows Group - Engines of Creation

Phil Meadows (alto & soprano saxophones), Laura Jurd (trumpet), Elliot Galvin (piano & Fender Rhodes), Conor Chaplin (double bass & electric bass) & Simon Roth (drums)
(Review by Russell)
The pedigree is impeccable. Phil Meadows, First Class Honours from Leeds College of Music, postgraduate studies at Trinity Laban and having occupied the lead alto chair in NYJO, the Lancastrian has, to date, worked with some of the biggest names on the scene including John Dankworth, Cleo Laine, Tim Garland and Jason Yarde. Engines of Creation marks the saxophonist’s debut CD release as bandleader and composer.
An assembly of immensely talented contemporaries feature across seven tunes; Elliott Galvin’s pivotal keyboards, trumpeter Laura Jurd’s apposite contributions, drummer Simon Roth’s musicality, Conor Chaplin’s command of upright and electric bass.
Fin opens with Meadows’ startling alto, double bass features and Roth’s clattering drums point to the tune’s inspiration – Beats and Pieces drummer Finlay Panter. Elements of the English folk tradition permeate Moving On, co-existing with the sounds of the twenty first century Leeds inprov scene. Runner, perhaps the stand out track on the CD, runs and runs; Jurd’s trumpet runs down Roth’s voodoo rhythms, Elliot Galvin’s Fender Rhodes joins the pursuit, the referencing of electric Miles evident as Meadows’ raging alto takes as inspiration the animated antics of Tinsel Town’s Road Runner relocated to the eternally frustrating South Circular, London.
Flamingos opens with a deceptively measured statement only to be disturbed by gate-crashing Cecil Taylor pianism. The title track unfolds across a broad canvas revealing many hues drawn by Meadows, Jurd and Galvin. The Dragon of George recalls an encounter with a truculent barman in a local hostelry. Chaplin’s electric bass runs rings around him as Meadows’ goading alto vents its spleen. Meadows disclosed that the genesis of the closing number – Captain Kirk – evolved from the arcane world of the British jazz club. It features first rate understated playing from a highly talented group of ‘new generation’ British jazz musicians.
Engines of Creation is out now on Boom Better Records (BOOM 006).                
Russell.       




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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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