Total Pageviews

Bebop Spoken There

Anat Fort: "In order to play and tour with people and spend a lot of time with them, you need to get along with them" - (DownBeat June 2019).

Archive

2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Monday May 27

Afternoon

Jazz

Vieux Carré Hot 4 - Spanish City Plaza, Whitley Bay NE26 1BG. 12:00 - 3:00pm. Free.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Tyne Valley Big Band - Bywell Hall, Bywell, near Stocksfield NE43 7AB. £15.00. (concs. £14.00., child £5.00., £35.00. family). 2:00-4:00pm. A Northumberland County Show (all day) event.

Evening

Ruby Turner - Whitley Bay Playhouse, Marine Avenue, Whitley Bay NE26 1LZ. Tel: 0844 248 1588. 7:30pm. £28.80. A Mouth of the Tyne event.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, July 18, 2013

CD Review: PETE McGUINNESS – VOICE LIKE A HORN

Pete McGuinness – vocals, trombone; Jon Gordon – alto sax, flute; Bill Mobley- trumpet; Ted Kooshian - piano; Andy Eulau – bass; Scott Neumann - drums
(Review by Debra M.)
Pete McGuiness is an established jazz arranger, trombonist & vocalist, based in New York City. The first album to showcase his voice, this combination of all facets of his musicianship has resulted in the swinging scatfest ‘Voice Like A Horn’. The recording features a small ensemble of piano trio and horns, & McGuinness’s arrangements provide ample opportunity for improvisation for all the instrumentalists, of which his scatting is an integral part.
Variety is added by the horns, which are particularly effective in ‘Oh You Crazy Moon’, punctuating the vocal & solo sections. McGuiness’s honeyed tones are clearly reminiscent of Chet Baker & Mel Tormé, and his smooth voice, with innate swing and fluid scatting , particularly suits the high tempo numbers. The project comprises mainly jazz standards, an exception being trumpeter Bill Mobley’s be bop style ‘49th Street’. On this track, and also Dizzy Gillespie’s ‘Birks’ Works’, McGuiness’s vocal agility is extraordinary. Perhaps not surprisingly, the style is similar to his trombone solos , in particular in George & Ira Gershwin’s ‘Who Cares?’. However, good musicians know when less is more, and contrast is provided by his compelling, stripped down rendition of ‘Never Let Me Go’, which has the most emotional impact of all the tracks on the album. Sometimes just the words are enough.
Debra M.

No comments :

Blog Archive

Subscribe!