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Bebop Spoken There

Bootsy Collins: "I had no training at all, man. Whatever I heard in my head, that's what came out." - (DownBeat September 2018).

Madeleine Peyroux: "What I'm searching for in singing is the form of communication that doesn't come through language". - (DownBeat September 2018).

Today Sunday August 19

Afternoon

Gala Big Band - Baltic, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. 11:00am.


Lambton Big Band + Lambton Little Band - The Brewery Tap, Great North Eastern Brewing Company, Contract House, Wellington Road, Dunston NE11 9HS. 3:00pm. £5.00. Four bands on bill.


Jazz Social - Charts, Quayside, Newcastle NE1 3DE. 4:00pm. New weekly jam session.


Somethin’ Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 5:00pm. Tel: 01325 788564. Matt Case (saxophone) & Mike Hepple (guitar).

Teresa Watson Blues Band - The Schooner, South Shore Road, Gateshead NE8 3AF. Tel: 0191 477 7404. 5:00pm. Free.

Palominos - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Zoë Gilby Quartet - Black Bull, Bridge Street, Blaydon NE21 4JJ. Tel: 0191 414 2846. 8:00pm. £5.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, July 01, 2013

CD Review: Barbacana Barbacana

James Allsopp (tenor saxophone & bass clarinet), Sylvain Darrifourcq (drums, objects & toys), Adrien Dennefeld (guitar & cello) & Kit Downes (organ, keyboard & prepared piano)
(Review by Russell).
An Anglo-French quartet, Barbacana comprises two star names of the new generation of British musicians - Kit Downes and James Allsopp - and two stellar performers from France - Sylvain Darrifourcq and Adrien Dennefeld. The quartet’s debut recording on Babel Label opens with a foursome’s squabble - Animation. A bewildering, frantic patchwork of noise; clattering Darrifourcq, Downes’ keyboard mania, Hawaiian Frisell oddity from Dennefeld (guitar) and the relative restraint of reedsman Allsopp ushers in a calming coda.
Allsopp’s bass clarinet maintains the new found sanity on Steam, guitar becalmed. Switching to tenor, Allsopp resists temptation as Darrifourcq taps out a rhythmic pattern (no takers!). Adobes simmers, slow groove, found and prepared sonics, quickening tempo, then done.
To the title track - Barbacana - and it’s polyrhythmic intro, then done, a mere 1’49 on the clock. Allsopp’s For No Raisin (great title!) lopes along, tenor, morse code guitar, a bayou hinterland. Downes and Allsopp’s Migration-Big BIG shop careers out of control, Allsopp’s tenor takes command, Dennefeld wails, Darrifourcq’s coiled-spring intensity launches a post -Trane workout, exhausted, they give out.
The closing track - Outro - composed by Dennefeld searches for a hook; Downes repeated motif underpinned by bass clarinet, it fades out (Outro).
In summation, Barbacana features stunning musicianship, all of the tunes promise to develop into a grand affair yet resolve to leave the listener wanting more. And in concert hearing of the music of Barbacana is sure to be a fulfilling experience.
Russell.              





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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
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Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance