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Bebop Spoken There

Wayne Escoffery: "My philosophy is keeping one foot in the past and one foot in the future" - DownBeat March 2018.

Scott Bradlee: “When audiences hear it [Sweet Child O’ Mine] there’s a lightbulb moment when they recognise the song’s hook, even though it’s in a different context. They’re so used to hearing it one way that it causes some cognitive dissonance. If it’s a song they’ve disparaged in the past and they now find themselves liking it, that’s really interesting to me” DownBeat March 2018.

Today Monday February 19

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, June 22, 2013

Rae Brothers New Orleans Jazz Band @ Jazz at the Fell. June 21

Dave Rae (banjo & vocals), Liz Bacon (clarinet), Jim Blenkin (trombone & vocals), John Robinson (double bass) & Paul Bacon (drums)
(Review by Russell)
Gateshead British Legion, the current home to Jazz at the Fell, sweltered on this mid summer night. The Rae Brothers New Orleans Jazz Band, staunch supporters of the jazz club over many years, fulfilled this most recent engagement as a quintet due to Mac Rae being indisposed. Dave Rae remarked that many years ago he worked with the Mighty Joe Young band but a stone’s throw along the road at the Honeysuckle pub (long-since closed and due to open as an open-all-hours ‘express’ supermarket). He further remarked that Alan Price turned up to hear the band. On hearing this a wag at the Legion asked: Aye, but did he stay?
Price, Burdon and co were nowhere to be seen at the Legion, those present were hard core regulars. The Rae Brothers played it strict New Orleans and Brahms’ Cradle Song set the tempo. Dave Rae took the vocal on Dinah and again on WC Handy’s Make Me a Pallet on Your Floor. Legendary names - George Lewis, Sammy Morgan - peppered Rae’s informative and entertaining introductions, not least a thumb-nail sketch of prolific Tin Pan Alley composer Harry MacGregor Woods. The tunesmith’s I’m Looking Over a Four Leaf Clover (1927) illustrated tight ensemble work, the fine front line playing of Liz Bacon, clarinet and  Jim Blenkin, trombone and Paul Bacon’s master class of New Orleans’ style drumming.
From New Orleans to Ascot. What? Yes, Ascot. A late comer marched in wearing a top hat. Well, one does, doesn’t one? A spiritual dating from 1892 put us on Higher Ground and we strode to the interval bar with Marie. Another Guinness, a strip of raffle tickets and the Brolly Dollies were readying themselves to strut their stuff.
We Shall Walk Through the Streets of the City (Rae vocals) vied for the tune of the night (standing comparison with Rendezvous Jazz’ reading of the number earlier in the day). Liz Bacon’s clarinet shone on St Louis Blues and Dave Rae’s vocals on Punch Miller’s Long Distance Blues were worth travelling a distance to hear. An evening of first class New Orleans’ jazz. Next Friday (June 28) get along to the Legion to hear the Vieux Carré Jazzmen.        
Russell.              

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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