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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Wednesday May 22

Afternoon

Jazz

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Alan Law - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Blues

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, June 09, 2013

Legohead @ The Bridge Hotel, Newcastle..

Lloyd Wright (gtr); Jon Proud (bs); David Francis (dms).
(Review by Lance.)
What can one say? This is the jazz version of Cream or maybe Forty Years After. Whatever, the triumvirate take jazz rock to an exalted level.
Lloyd is the spiritual descendent of the Tyneside jazz dynasty that weaves its way from Charlie Smith via Roly Veitch,  John Hedley, Terry Ellis, James Birkett, Rod Sinclair, Mark Williams to Lloyd and (in a different direction) Bradley Johnston.
I wasn't the only one who recognised Lloyd's credentials - the gig was well attended - and the boy didn't disappoint giving the crowd an inspired set. There was more pedals on stage than in the Tour de France but they were used sparingly yet effectively.
Original material, although some we'd heard before and some we hadn't, allowed the young guitarist  to display his awesome technique as well as his occasional tender moments.
On bass, Jon Proud too had his moments. A less flamboyant player than Wright he, nevertheless, did what was needed and soloed impressively. David Francis has been round the kit a few times and his breaks and fills showed the hands and feet of experience.
It was a good set with ne'er a sheet of music on the stand.
That I missed the second set was no reflection on the band.
Lance.
.

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