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Bebop Spoken There

Randy Brecker: "It's still a thrill for me today to stand out front of a big band as the soloist and hear all that sound going on behind you. It brings the best out of me" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Wednesday May 22

Afternoon

Jazz

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Alan Law - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Blues

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, June 16, 2013

CD Review: Steve Swallow Quintet - Into the Woodwork

Steve Swallow (bs); Carla Bley (org); Chris Cheek (ten); Steve Cardenas (gtr); Jorge Rossy (dms).
(Review by Lance).
Textural is a word Steve Swallow uses in the press release to describe this 12 track, no discernible separation, album and it nicely sums up the pastoral rich opener Sad Old Man.
The title track, Into the Woodwork, has similar underpinnings but above it all Cheek emerges with a solo worthy of any of the great Blue Note tenormen. A Berklee graduate I wasn't familiar with his work but he has appeared on over 60 albums including several under his own name. Likewise Cardenas, he too has a prolific recording background and worked with Cheek in the Paul Motian Band. His playing on the album is clean and lyrical, keeping the melodic content flowing.
By now you've probably got the message that this isn't a typical organ/guitar/tenor soul session - it is too well textured (there's that word again) for that. Even Rossy's drum breaks are far removed from the showboating explosions of most drummers. Instead we get percussive lines integrated within the surrounds.
Carla Bley eschews the B3 with Leslie blast in favour of a more controlled - dare I say it? textured sound. Strangely, her solo on Still There includes an extensive quote from "Oh the driver's got the wind up" that merges into what sounds like the American version of "The Last Post" as played by the cavalry bugler in a thousand westerns.
Swallow composed all the pieces as well as adding distinctive bass lines and solos. The quintet do his compositions justice.
A CD that becomes increasingly more interesting and appealing with each listening.
Lance.
Steve Swallow Quintet - Into the Woodwork (ECM 2798380) is released in the UK on Monday June 17.
Check it out.

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