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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Thu 18: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 18: NONUNONU @ Elder Beer Café, Chillingham Road, Newcastle. 7:30pm.
Thu 18: Knats @ Hoochie Coochie, Newcastle. 8:00pm (doors 7:30pm). £8.00. + bf. Support act TBC.
Thu 18: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guest band night with Just Friends: Ian Bosworth (guitar); Donna Hewitt (sax); Dave Archbold (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Wednesday, May 29, 2013

Otriad @ Bridge Hotel, Newcastle. May 26 , 2013

Alex Roth (guitar & effects), Joe Wright (tenor saxophone & electronics), Nick Roth (alto saxophone), James Opstad (electric bass) & Simon Roth (drums)
(Review by Russell)
Firebrick, the recently established micro brewery in Blaydon vied for attention on the bar at the Bridge Hotel. A good start to another Splinter at the Bridge Sunday night session! The upstairs room sparsely populated, guitarist and band leader Alex Roth took to the stage with tenor player Joe Wright (earlier pre-occupied setting-up his Apple Mac) and for the next half hour or so the duo painstakingly created a pastoral electro-acoustic soundscape, dissolving, fading, resolved. 
Roth's command of his Gibson was obvious yet he steadfastly refused to play. That is to say he didn't grandstand, not yet. To end the first set Roth's alto-playing brother Nick belatedly joined the band and we got, as they say, something completely different. Nick had something to say, something to get off his chest. Did he blow? You bet! The second set promised much.
Down at the bar things were looking up. The George N Porter Brewery (Whitley Bay) had dropped-off a barrel of Horn. Yep, a beer for the jazz-loving beer drinker (the pump clip sported a composite image of your favourite tenor player). How could one resist? Meanwhile Bebop Spoken Here contributor JC arrived. Any good? he enquired of the band. Hmmm was the reply. We were wanting more. 
We got more, numerically, as the fully-fledged band, the quintet, played the second set. Family Roth produce musicians. The drum chair belonged to Simon Roth. Lovely old kit, north east drummers should have been there, they would surely have drooled over it (hopefully not literally). And Simon could play. So many fabulous drummers. Get to the Bridge - they turn up every other week! Five string electric bassist James Opstad kept things simple or rather made it look deceptively so.
The second set took the form of a suite - the Bielski Suite - written by the band leader, taking as its inspiration the story of the heroic Bielski partisans - the Bielski Otriad - during WWII in occupied Poland. This was the stuff! Cracking playing from all concerned. Tenor and alto horns in unison, then solo. Guitarist Alex let fly. A brilliant technician, a contemporary stylist , fluent ideas, catch this guy next time he's around. Hey JC, this was a contender for this week's Gig of the Year!   
Russell.       

1 comment :

Anonymous said...

As I am only too happy to acknowledge that Russell has more extensive knowledge about jazz in his little finger than I have managed to garner over an intermittent career as a fan (so I do hope this wasn't the digit injured in the recent 'incident') I am always interested in his view of what's happening at a gig. Therefore a Hmmmm as an interim review at half time in this gig was a significant pointer, if a little unspecific. However another attendee I met outside the Bridge as I arrived was a bit more enthusiastic, 'Yeah, good, man' he said.
So as I took my seat for the second half with my fairly ordinary pint of Deuchars, my heart sank a bit when the band leader said the second set was going to consist of one continuous piece only.
However, this did not last long as I was instantly intrigued by the story behind the Bielski Suite and as Russell says, this was the business. Great playing and continually engaging music, so much so that I never got to get a second pint as I was not wanting to miss anything.
So double Hmmmm, definitely last week's Gig of the Year!
JC

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