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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Monday June 25

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, May 24, 2013

Lucian Ban & Mat Maneri @ The Recital Room, Newcastle University. May 23, 2013

(Review by Russell)
Pianist Lucian Ban and viola virtuoso Mat Maneri, on a short British tour to promote their new ECM release Transylvanian Concert (ECM 2313), were greeted by glowering rain clouds on arrival in Newcastle
The Recital Room in Armstrong Building, Newcastle University, elevates the Lit & Phil’s intimate Loftus Room, by comparison, to stadium rock dimensions. A few rows of chairs set-out, a makeshift bar set-up, would an audience materialise? It did, in good numbers.
A short set by a quintet of local improvisers drawn from the music department’s staff and student alumni led, nominally by Will Edmondes (electronics), preceded the main event. A low-fi, low-key performance, prompted by Edmondes’ low-wattage interjections promised to wake the reeds but to no avail. Ban and Maneri listened intently - a feature of leftfield gigs is musicians listening to their peers - then stepped outside for a pre-performance fag. Bar sales ticked-over steadily, CD sales were brisk ahead of the headliners’ set and as dusk descended Ban and Maneri assumed their respective seats (piano stool and utilitarian stackable chair). 
Leftfield, ‘out’ gigs aren't noted for their ferocious swing element. Well, the Downtown New Yorkers know and love their jazz history. Twentieth century salon, European ‘art music’ is certainly key to the duo’s art yet a relentless swinging pulse frequently surfaced. Phantasm (from Maneri’s days with Paul Motian), Nobody Knows the Trouble I've Seen (worthy of the admission charge alone) and Monastery defined a master class, appropriately in the venerable seat of learning’s recital room.                   
Russell.    

1 comment :

sfay said...

Wish I'd caught 'em in Derby now....

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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