Total Pageviews

Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

-----

Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

Posting a comment

If you experience any problems posting a comment, as I understand some readers are, then email it to me direct, stating which post your comment relates to - lanceliddle@gmail.com. Alternatively, try the Anonymous button but please sign your name!
Apologies for any inconvenience, this is due to circumstances beyond my control.

Youre Vote is Important

Voting is now taking place for Nominations in the All Party Parliamentary Jazz Awards. Please take this opportunity to vote in the various categories including MEDIA where a vote for Bebop Spoken Here would be much appreciated.

Today Monday June 18

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, May 09, 2013

CD Review: Gene Ess - Fractal Attraction.

Gene Ess (gtr); Thana Alexa (voice); David Berkman (pno); Thomas Kneeland (bs); Gene Jackson (dms).
(Review by Lance)
The blurb sums it up exactly - Eight original compositions which are forward thinking but  simultaneously respecting the best of the past from the rich jazz music history. I'll raise a glass to that.
The guitar/voice front line is used very effectively. Japanese American guitarist Ess has a pedigree that includes a stint with the Rashied Ali Quintet and sessions with Ravi Coltrane, Archie Shepp and many others.
Despite that contemporary company, former child prodigy Ess' playing here is relatively straightforward.  Grant Green is cited as an inspiration and certainly many of the guitar solos have a Blue Note feel about them.
Thana Alexa uses her voice instrumentally and brings Norma Winstone to mind. The pitching is accurate and the timbre of the voice appealing. In Tanabata - subtitled Forlorn Lovers - voice and bowed bass combine to create a doom laden mood of lost love. The accompaniment is in 18 and 5 coming together every 90 pulses. Much like the forlorn lovers from the ancient Tanabata tale. Alexa's own composition (the other seven are all by Ess) - Fractica - turns her loose on some frenetic improvisations spurred on by Jackson's drums and brought down to earth by Ess' solo logic.
Berkman  is impressive throughout and Kneeland's intro in 9 on the first track, Silver's Fate sets it up for the entry of the horns (yes guitar and voice here are as much horns as trumpet and sax anywhere else!) and is consistent throughout.
Gene Ess - Fractal Attraction. was released on May 8, 2013 by Simp Records.
Lance.

No comments :

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!