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Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Monday November 20

Afternoon

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 NE30 4QS. 1:00pm. Free.

Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. Tel: 0191 488 0954. 1:00pm. Free.

Evening

?????

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, June 03, 2013

CD Review: Caecilie Norby: Silent Ways

Caecilie Norby (vocal); Lars Danielsson (cello, bass, acoustic guitars, tambourine); Leszek Mozdzer (piano); Nguyen Le (electric guitars, electronics); Robert Mehmet Ikiz (drums, percussion); also Marius Neset (tenor and soprano sax)
(Review by Ann Alex)
This is a totally enjoyable CD, but it mostly doesn't have that certain feel of ‘jazz’ (I'm open to contradiction from anyone else who hears it), except for some jazz influence on 3 of the tracks. 
Danish Ms Norby sang in the classical music world until she was aged 14, when one day she heard Creedence Clearwater Revival at a school party, which changed her musical perspective.  Nowadays,  she prefers not to have much regard for musical genres.  
For this CD, she picked out 11 of her favourite singer-songwriter melodies, plus a self-composed number, and, the insert says, played them with jazz and classical influences.  The band improvises, the voice has a wide range, and is beautifully expressive, yet the overall effect comes across to me as heavy rock, and reminded me of the supergroups of the 1970’s such as Genesis or Yes.  Perhaps it is the double tracking, lots of use of electronics, and an occasional ‘wall of sound’ effect, I don't know.
Anyway, the songs are well chosen, including Leonard Cohen’s Winter Lady; and In My Secret Life; Tom Waits’ Diamonds And Gold; (good strong rhythmic percussion); Papa Was A Rolling Stone (jazzy piano and eastern type guitar) Dylan’s Like A Rolling Stone (a fascinating Caribbean arrangement); a wonderfully modulated voice on Silent Ways.  Other tracks are Stepping Stone; Hurt; Hearts and Bones; Have You Ever Seen The Rain; Black Hole Sun; and the self composed Hymnen.  
Released on 3rd June 2013 by ACT Music
Ann Alex


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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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