Total Pageviews

Bebop Spoken There

Artie Shaw: “I'm not interested in giving people what they want--I'm interested in making music.” – (DownBeat October 15, 1939).

Jason Marsalis: “There's so many places that this music can go and there's a lot yet to be discovered.'” – (DownBeat April 2018)

Today Monday March 19


Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Higher Education & Research Presents: Future Grooves - Sage Gateshead. 12 noon. £5.00. Showcase performances by BMus & BA degree course students feat jazz & non-jazz sets.


Higher Education & Research Presents: Future Grooves - Sage Gateshead. 7:00pm. £5.00. Showcase performances by BMus & BA degree course students feat jazz & non-jazz sets.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, February 13, 2013

Tonight @ The Lit and Phil

Jazz North East presents
COREY MWAMBA(solo vibraphone)
(solo piano)
Wednesday 13th February | 8.00pm
Literary & Philosophical Society | 23 Westgate Road | Newcastle NE1 1SE
Tickets £10.00 | £8.00 concessions from 0191 232 0192
Note: Steps to this venue make accessibility difficult for wheelchair users

Hot on the heels of last Friday's great double bill at the Lit & Phil comes another superb pairing. Pianist Robert Mitchell is part way through a 21 date UK tour promoting his new solo album 'The Glimpse', but only Jazz North East are providing added value by putting him together with vibes maestro Corey Mwamba (it's a combination that's not even happening tonight, when Robert plays in Corey's home town of Derby).
Robert's album, due for official release next Monday but available for sale at tomorrow's gig, is remarkable in that it's made up of performances for left hand only. But any thoughts that this is a dry academic exercise are dispelled from the start: previewing the album, critic Bruce Lindsay in AllAboutJazz wrote "His left hand is a hand that creates many moods, moving across the 88 keys with flair and grace and generating rhythms and melodies which engage and surprise". An absorbing prospect.
Corey, who opens the Lit & Phil gig, will definitely be using both hands, a great number of mallets and other beaters, and probably even his feet (Guardian critic John Fordham has described him as "the balletic young Derby vibraphonist"). A real favourite of Tyneside audiences since his first appearance here little more than two years ago, Corey has also been described as "an elemental driving force", but he is equally capable of great subtlety, and solo performance gives him the chance to display the whole of his imaginative range.
And at the end of the gig a multi-handed finale as the two players come together for a spontaneous duo performance that's certain to be nothing short of dazzling. I'm told that there could be snow tomorrow, but it's likely to get quite tropical at the Lit & Phil before the night is over.

No comments :

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: I look forward to hearing from you.