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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Friday May 24

Afternoon

Jazz

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Giles Strong Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening.

Blues/Soul/Funk

Dave Kelly & Christine Collister - Gala Theatre & Cinema, Millennium Place, Durham DH1 1WA . Tel: 03000 266 600. 8:00pm. £18.00.

The Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9pm. Free.

Groove-a-matics - Lindisfarne Club, West St., Wallsend NE28 8LG. Tel: 0191 262 4258. 9:00pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, February 27, 2013

Graeme Wilson Quartet @ The Cluny. February 26

Graeme Wilson (tenor saxophone), Paul Edis (keyboards), Andy Champion (double bass) & Adam Sinclair (drums)
(Review by Russell)
The Graeme Wilson Quartet’s debut gig at the Central Bar in October of last year was such a success that it was just a matter of time until there was another outing. Wilson’s talents as a composer made the band an ideal choice for a Schmazz @ the Cluny gig. A  set list of tunes familiar to those who take every opportunity to hear Wilson made for a memorable night down in the Ouseburn. 
Street of Furs, Pontoon (a commission from the Harbour Association of Mull), Searchlight Nevada, one winner after another. The latter number was, perhaps, the first set highlight. Imagine John Coltrane driving through the night to his next engagement. Tyner, Jones and Garrison his companions. Imagine Trane getting lost in the desert. This was majestic tenor playing from Wilson, his band mates Paul Edis (keyboards), Andy Champion (double bass) and drummer Adam Sinclair (hear that hi-hat!) well up to the mark and then some!
Offissa Pupp - playful, funkin’ fun - offered a marked contrast to the Wilson/Trane intensity reverberating in our heads. The first set swung out with The New Wallaw, a Wilson composition inspired by a visit to a  shamefully neglected, crumbling Art Deco cinema in the south east Northumberland town of Blyth.
The second set proved to be just as good as the first. Remara (first heard on Tyneside in an arrangement by John Warren’s Splinter Group), The Sycamore, a ballad referencing Blyth’s lost picture palace, A Toe of Fudge, with constantly shifting rhythms expertly negotiated by the quartet and Pleasureland (Wilson mentions Arbroath, the audience laughs) brought us to the end. Well, not quite. The Schmazz crowd wanted more and they got it. Honolulus dazzled with brilliant playing all round. A cracking band deserving of wider recognition.     
Russell.       

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