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Bebop Spoken There

Bill Russo: "The use of valve trombones instead of slide trombones in the jazz orchestra would solve a great many ensemble problems" - (Melody Maker December 31, 1955). From Colin Aitchison's amazing collection).

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Courtney Pine: “I haven’t really played the tenor for 11 years now.” – (Jazzwise March 2015).

Archives.

Today Sunday August 30.

Afternoon
Dean Stockdale - Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. Tel: 0191 233 1010. 2pm- 5pm. Check with hotel for times then check again!
Ralph Keeley (solo piano) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle. 12.30pm. 0191 2399924.
Stanley Blues Festival - Oakey Park, Stanley. DH 9. 12 noon. Free. All-day festival returns – at a new venue – after an eight-year hiatus. Line-up includes Paul Lamb & the King Snakes, the King Bees, No Time For Jive, Struggle Buggy, Johnny Dickinson. Mitch Laddie.
Evening.
Maine Street Jazzmen - Seaton Sluice Social Club. 8:00pm. £3.00.
Mississippi Dreamboats - The Globe, 11 Railway St., Newcastle NE4 7AD. 7pm (doors). £5.
Pocket Jazz Orchestra - Brasserie 13, Windward Way, Middlesbrough TS2 1QG. 01642 261166. 7.30pm. Free.

Sunday, December 16, 2012

Ian Shaw: The Sage, Friday December 14th

Ian Shaw (vocals and comedy); Barry Green (piano)
(Review by Ann Alex).
This was the second set of the performance involving Sector 7 (first set  to be reviewed shortly).  We were mightily entertained with great vocals, piano, and a good helping of comedy.  The amusing stories about weight loss, loss of virginity in Morpeth, and cheeky shouts to the technicians to turn down the lights, flowed well between songs both amusing and sad, with lots of space for the pianist to display his soloing skills. 

Do Your Stuff opened the show with the singer obviously enjoying the rhyming couplets, scatting in a falsetto voice and swapping 4s as if there was to be no tomorrow in which to sing.  We moved on to a witty Fran Landersman song Small Day Tomorrow, followed by Spring Can Really Hang You Up The Most; then a lively version of Cole Porter’s Let’s Do It, with extra images added.
Because there was lots of comedy, the more serious songs were more effective by contrast, so I’m Glad There Is You was quite moving. The audience was encouraged to sing along for some familiar bits of songs, not something that normally happens except if it’s folk music!  Use Me Up had the audience guessing when to applaud because of the teasing false endings.  The whole performance was rounded off in Christmas style with the singers of sector 7 coming on stage for a performance of Christina Rossetti’s hymn In The Bleak Midwinter, sung with wonderful harmonies to the Gustav Holst tune.  A fitting ending to a very good evening of music and fun. 
Ann Alex  

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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