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Bebop Spoken There

Jeremy Pelt: "In my experience, the hottest player on the scene is almost always the most annoying motherfucker on the scene because they know that they're hot." - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Sunday May 19

Afternoon

Jazz

Anth Purdy: Swing Jazz Guitar - Blyth Battery, The Links, Blyth NE24 3PQ. 10:00am-4:00pm. Free. 'Blyth Battery Goes to War Weekend'.

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

Alice Grace & Ben Helm - Bonbar, Fenkle St., Newcastle NE1 5XU. Tel: 0191 232 8695. 1:30pm.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free. Jam session with house trio (James Harrison, piano).

Blues

Memphis Cruisers - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 3:00pm. Free.

Archie Brown & the Young Bucks - The Schooner, South Shore Road, Gateshead NE8 3AF. 5:00pm. Free.

Evening

Jazz

Sue Ferris Quintet - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Blaydon Jazz Club.

Philip Clouts Quartet - The Globe, Railway St., Newcastle NE4 7AD. 7:30pm. £10.00 (£7.00 student).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, October 25, 2012

CD REVIEW: All Upon A Lovely Summer’s Day: Burton Bradstock


Burton Bradstock aka Jimmy Cannon (vocals, arranger); Dorian Ford (piano); Iain Ballamy (saxophone); Julian Ferraretto (violin); Pete Berryman (guitar and co-arranger); Riaan Vosloo (bass); Tim Giles (drums); also various musicians playing strings
(Review by Ann Alex). 
This is an unusual CD of traditional folk songs played and sung in a jazz-like manner by very talented musicians who have excellent credentials and much experience.  My reaction, as a jazz-loving folkie, was mixed. 
I doubt if this would appeal to lovers of very traditional folk song, but jazz fans may like it better, as there is plenty of jazz involved.  As for folk, there are some very successful tracks, but some tracks veer too far towards classical music because the strings are overused, thus missing the gutsiness of real folk music.  The vocalist sings in a pleasantly slightly husky voice, which would have suited more gutsy, adventurous arrangements, moving away from the tune, maybe even with a bit of scat.  I think Iain Ballamy should have been used more – after all this instrument (saxophone) is starting to appear in folk clubs.
I did like The Foggy, Foggy Dew, one of the less complex arrangements, with a ragtime piano accompaniment and brushed drums percussion – very effective.  Then there was John Barleycorn (all about growing barley and making beer, but from the barleycorn’s point of view), a no-holds-barred modern jazz arrangement with a distinctly drunken sound.  All Things Are Quite Silent is a song about the press gang, and the tragic theme deserved more than just luscious playing by the strings.  Early One Morning was a missed opportunity, which needed a more lively singing style.
As I said, this is a group of skilled musicians, who should maybe try more folk song arrangements, with some instrumental only tracks, and a selection of songs such as Border Ballads, which can be done well as Blues.  I know this works, because some musicians from the Newcastle Folk Degree did this in a Sage concert last year. 
The CD -  All Upon A Lovely Summer’s Day: Burton Bradstock - is released on October 29th on the F-IRE label, catalogue number F-IRECD 58.  There is a CD launch at the Pizza Express Jazz Club, Soho on 30th October.
Ann Alex (Russell is nowhere in my name!)

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