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Bebop Spoken There

Buddy Guy: "My mother said, 'You got flowers for me, give 'em to me now, because I'm not going to smell them when you put 'em on the casket'." - (DownBeat September 2018).

Marty Ashby: "I asked him what his gig was and he said 'I put the scores on the music stands'. I said, 'That's a gig?' And I realised there were four floors of guys like him, who supported some of the finest musicians in the world. But I was a jazz musician, and I was used to playing with some of the finest musicians in the world in front of the New York Public Library for tips. That's when I realised that jazz didn't have the same support system as classical music. - (DownBeat September 2018).

Today Tuesday August 14

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, March 14, 2012

CD Review - Indigo Kid

Dan Messore (gtr); Iain Ballamy (ten); Tim Harries (bs); Gethin Jones (dms).
The cow-poke on the sleeve and the album title suggests that this is some kind of tribute to the American West and maybe it is. However, given the personnel, unsurprisingly, this is no clip-clopping along c & w hoe-down. The feeling instead is one of vastness, of open spaces, rolling plains. A wayfaring stranger venturing into the unknown. The musicians blaze their own trails with respect and acknowledgement of each other's space without building fences.
Ballaimy's tenor sax, melodic yet probing as if in wonderment of his environment. A picture may be worth a thousand words but music is surely worth a thousand pictures? His solo on Gershwin's The Man I Love - the only non-original - is musical poetry.
The final track Bioluminescence brings the setting sun and the conclusion of a highly evocative album
Composer and guitarist Messore solos effectively in a manner that brought Bill Frissell to mind which is praise indeed although the young musician is no copyist.
Indigo Kid isn’t solely a western music exercise, and his (Messore's) search for cultural roots and their meaning stretches further afield. “Much of my composition comes as a response to nature and surroundings,” says Messore. “I have travelled a fair amount, whilst doing so I always try to get off the beaten track: hitching, sleeping out, working locally. I am attempting to create music that has a strong sense of landscape with improvisation”. On the way he has looked to Africa and its folk music, especially inspired by the gentle rootsy jazz guitar of the unique Benin-born NY-based star Lionel Loueke. And to Brazil, the great Hermeto Pascoal being a subtle but pervasive influence throughout the album. But it’s the accessible combination of all these lyrical song-like forms and deeply rooted improv aesthetics that appear throughout these sensual and very striking compositions that this highly gifted guitarist has recorded for his band debut Indigo Kid.
Lance.
Indigo Kid - Babel Label BDV1197 - Release date April 23, 2012.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance