Bebop Spoken There
Dave Douglas, trumpeter & podcaster: “The first suggestion was, “Can you get Kenny G on the show?” And I thought, that would be great. I don’t think Mr. G would do it, but boy, I would welcome that opportunity.” – (Jazz Times October 2015).
Philip Larkin: "Before we criticise the milestone for walking we should compare it with the milestones that stand still" - (Daily Telegraph March 9, 1968).
Today Wednesday November 25
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Saturday, February 12, 2011
Friday, February 11, 2011
A History of Jazz in Newcastle by John Pearce.
Newcastle in the flapper era was like any other large city. The cloche hat, the Oxford bags, the Charleston, were rampant, and all were symptoms of a country attempting to throw off the mantle of wartime austerity and gloom. When the Original Dixieland Jazz Band appeared in London in 1921, they were a symbol of the Gay Twenties. The O.D.J.B. travelled North for a month's stay at the Oxford Galleries, and so jazz came to Newcastle. The year 1934 is important in Newcastle's jazz history. Dick Kelly and a friend, students at King's College, persuaded the management of the Oxford Galleries to let them hire a room. Thus was founded the Newcastle Rhythm Club, official number 57. After the war, the N.R.C. took up the reins again in premises in Ridley Place. The N.R.C. had several meeting places., the Bridge End Hotel; the Roma Cafe, in the Bigg Market (1949), where Stan Wilde and his Wildcats were resident; and the Crow's Nest Hotel (1952). Stan Wilde's band split up, and the Panama Jazzmen were formed by pianist Norman Rudd. He recruited Stan Martin (clarinet) and Ronnie MacLean (trombone) from the Wildcats, and added Joe McMullen (cornet) and Teddy Hutchinson (drums). At the same time, Hughie Aitchison formed his Benecia Jazz Band, which later became the Cellarmen. Early 1954 saw the opening of two new jazz clubs, the Alexandra, in Heaton, with the Clem Avery Jazzmen in residence, and the Pelican Club, in the News Theatre. In 1954, the N.R.C. moved first into King's Restaurant, in Northumberland Street, then to the Mahogany Hall, in the Royal Arcade. where it also changed its name to the Newcastle Jazz Club. The featured bands were the Panama, the Cellarmen, and the Clem Avery Jazzmen. When Clem left the band, it was taken over by the banjoist John Young, who, at the same time, assumed the name "Mighty Joe." It was about this time that King's College made its mark on the Newcastle jazz scene. In 1955, some good modern jazz was being played by a college group which included Don Armstrong (clarinet and tenor) and the Carr brothers, Mike and Ian (of whom more later). The next year saw the formation of the Quaysiders by clarinetist Peter Smailes; in 1957, the College Kings were launched by P e t e r McLoughlin (clarinet) and in 1958, Bill Croft formed his Blue Star Jazzmen. Later, the Wednesday night was opened by the Clem Avery Jazzmen, and eventually a third night, Thursday, was taken up by the College Kings. The College Kings evolved into the Commodore Jazzmen, led by myself (trumpet), with John Crone at the piano. In early 1955, banjoist Peter Deuchar formed the Vieux Carre Jazzmen, with Peter Gascoigne (trumpet), John Saxelby (clarinet), and Jim Stewart (drums). They were resident at the Club Martinique, also in the Royal Arcade. After about 18 months, the club moved to premises in St. James Street, and eventually to Melbourne Street, where it was renamed the New Orleans Club, with the Vieux Carre Jazzmen resident on Fridays and Sundays. The Mighty Joe Young Jazzmen, who later changed from New Orleans to Mainstream, started a Saturday night residency at the club. Gradually, every night of the week was taken up by different bands. For once, the vagaries of Services' postings benefited jazz. In 1959, L.A.C. Malcolm Cecil was posted to the North-East, where he met Mike Carr. With Mike Jeffrey and two associates, they opened the Downbeat Jazz Club, where the now famous EmCee 5 first played. Early 1960 found the River City Jazzmen playing Saturday nights at the Downbeat. This band included Jack "Dad" Potts (trumpet) and Ray Shenton (tuba). Later that year, Bill Croft's Blue Star Jazzmen, with John Walters (trumpet) and Jeff Robinson (drums), began the Thursday night session, changing later to Friday night, to share the bill with the Kansas City 5, with Eric Burdon. John Pearce circa 1960.
Thursday, February 10, 2011
Wednesday, February 09, 2011
I've done my bit - let's hear it from you romantics out there.
Sarah Ellen Hughes links
Tuesday, February 08, 2011
Monday, February 07, 2011
Sunday, February 06, 2011
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- Tonight @ The Cherry Tree
- HAQ @ Splinter @ The Bridge. February 28
- Alex Welsh photo details wanted.
- Didn't HAQ it tonight - HAQ @ The Bridge
- Jammin' @ The Jazz Café
- THOSE PORTHOLE BLUES AGAIN by Keith Armstrong.
- Ossie Riani by Peter Riani
- I WENT TO CHURCH ON FRIDAY – TO HEAR THE JAZZ RASC...
- Elaine Binney & The Jazz Rascals @ Durant Hall
- New Century Ragtime Orchestra update from Phil
- If You Gotta Get a Dep Get the Best
- Jazz Rascals to record live session.
- Dearly Beloved
- First Gig of a new residency for the Maine Street ...
- You can buy just about anything on eBay
- SHE’S GOT SWING! Cherry Tree Restaurant
- More Edis tonight at the Cherry Tree
- Paul Edis Sextet @ The Bridge. Sunday 20th Februar...
- Off The Leash Take It To The Bridge and Elsewhere
- Penguin Café & Portico Quartet @ The Sage
- Jazz Café Jam
- Matt Monro - We`re Gonna Change The World
- Paul Gamblin Memorial
- Don't Miss Out on This One!
- Where are the George Shearing tributes?
- Hank Mobley on Jazz Library Today
- Alister Spence Trio w. Raymond MacDonald @ The Lit...
- Rendezvous Jazz @ The Porthole.
- Snippets of Jazz on Women's Hour
- Ernie Jackson on Tony Scott
- Bell & Bucket Jazz Band @ The Bell & Bucket, Norfo...
- Not a Vintage Spice
- Gillespiana @ King's Head, Crouch End
- The Saddest Possible Day. Farewell Sir George
- Fundraising at Newbiggin w. Keith Stephen Trio & C...
- Some Reporters Have Priority Issues - Grammy Award...
- Tonight at the Cherry Tree
- Legohead @ The Bridge
- No Time For Jive @ Central Bar - Gateshead.
- No Jitterbugging Allowed
- Jazz is Where You Find It
- Maine Street Jazzmen @ Jazz at the Fell @ the Legi...
- Let's Fall In Love
- A History of Jazz in Newcastle by John Pearce.
- First Newcastle JATP Concert.
- RIP Don Ferrara
- Musicon Durham Jazz Festival
- Hamlet without the Prince of Denmark is stiil a go...
- IKE ISAACS by Maurice Summerfield
- Love Is Here To Stay
- Durham Jazz Festival
- Bill Harper on Joe Young.
- 1939 DownBeat Readers Poll
- Zoe Gilby Quartet @ Ashington Jazz Club Feb 2.
- A chance to relive the Creole Choir of Cuba
- NEJC & Friends Beerdorado Tour - Saturday 5th Feb
- The Safe Sextet (all five of them) @ The Bridge
- Jazz Café Jam
- Elvis Lives in Gateshead via Romania!
- The Chicken's Last Stand @ Ned Kelly's.
- Poetry's Second Life. Northern Stage
- Stan Tracey Duo/Trio @ Darlington Arts Centre. Feb...
- Secular Saturday
- Greetings From Our Man in Hong Kong
- Congratulations are in the offing.
- Darlo Doings
- Goodbye Tony Levin
- Maine Street @ Rosie's
- Sarah Gillespie @ Cluny 2. February 2nd
- Justin Hayford - fanning the flame.
- Customs House Big Band @ The New Crown, South Shie...
- Tonight - Schmazz at Cluny 2
- Update on Jazz At The Fell
- New York Walk - Derek Nash
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About this blog - contact details.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
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