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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Today Monday June 18

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, May 23, 2011

Marianne Faithfull @ The Sage, Gateshead.

Marianne Faithfull (vcl); acc. by Kate St.John (keys, alt, cor anglais, acc. etc); Rory McFarlane (bs); Martin Bark? (dms); Don Pedigo (gtr); Wayne Kramer (gtr).
I wasn't sure what to expect - I knew there wouldn't be any jazz although, paradoxically, the background music in between sets was Creole Love Call and Prelude To A Kiss.
A lot of the material was from Marianne's latest CD - Horses and High Heels and she did indeed open with the title track.
She's entertaining and the half filled Level One, Hall One, loved her as, with complete disregard to today's PC culture she bonded with them by having a cigarette on stage!
The band were, not surprisingly, honed in Stones/'60s blasts with Ms Faithfull doing things to Johnn Lennon's Working Class Man, Dusty Springfield's Goin' Back, Back in my Baby's Arms Again. The voice may have sunk deeper and the range somewhat narrow but, nevertheless, Marianne seems to be in her comfort zone with the material. It was an impressive performance.
Earlier, support act, Gabby Young (pictured with ?) displayed no range limitations - her comfort zone is of operatic proportions! Billed as Gabby Young and Other Animals it was somewhat disturbing that she brought only 1 other animal - a guitarist (pictured left) whose name I missed. Presumably the other animals were in quarantine. This was a shame as I was looking forward to hearing the eight piece which includes trumpet, trombone and clarinet. Nevertheless Gabby gave a polished performance of original material and I look forward to hearing her again with the full band.
Lance.

2 comments :

Anonymous said...

I was wondering if Johnn Lennon's 'Working Class Man' was the polite version of John Lennon's 'Working Class Hero'?

JC

Lance said...

My apologies - it was at the end of the night
'Hero' is right,
And it wasn't polite
I'll end the rhyme now...

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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