Marianne Faithfull (vcl); acc. by Kate St.John (keys, alt, cor anglais, acc. etc); Rory McFarlane (bs); Martin Bark? (dms); Don Pedigo (gtr); Wayne Kramer (gtr).
I wasn't sure what to expect - I knew there wouldn't be any jazz although, paradoxically, the background music in between sets was Creole Love Call and Prelude To A Kiss.
A lot of the material was from Marianne's latest CD - Horses and High Heels and she did indeed open with the title track.
She's entertaining and the half filled Level One, Hall One, loved her as, with complete disregard to today's PC culture she bonded with them by having a cigarette on stage!
The band were, not surprisingly, honed in Stones/'60s blasts with Ms Faithfull doing things to Johnn Lennon's Working Class Man, Dusty Springfield's Goin' Back, Back in my Baby's Arms Again. The voice may have sunk deeper and the range somewhat narrow but, nevertheless, Marianne seems to be in her comfort zone with the material. It was an impressive performance.
Earlier, support act, Gabby Young (pictured with ?) displayed no range limitations - her comfort zone is of operatic proportions! Billed as Gabby Young and Other Animals it was somewhat disturbing that she brought only 1 other animal - a guitarist (pictured left) whose name I missed. Presumably the other animals were in quarantine. This was a shame as I was looking forward to hearing the eight piece which includes trumpet, trombone and clarinet. Nevertheless Gabby gave a polished performance of original material and I look forward to hearing her again with the full band.Lance.
I was wondering if Johnn Lennon's 'Working Class Man' was the polite version of John Lennon's 'Working Class Hero'?
ReplyDeleteJC
My apologies - it was at the end of the night
ReplyDelete'Hero' is right,
And it wasn't polite
I'll end the rhyme now...