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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Wednesday May 22

Afternoon

Jazz

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Alan Law - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Blues

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 10, 2010

Just Another Manic Sunday (Jazzwise!)

I love the Jazz Café Sunday Afternoon Jam Session. There is a feel about it that tells you that this is what jazz is all about.
A handful of guys and gals blowing/singing - creating.
Lyndsay was in great voice on Willow Weep and, particularly, the upbeat Deed I Do This latter tune jumped from the moment Meade Lux Gilligan started hitting those eighth note appegios in the left hand and pummelling block chords in the right. Pete was telling the cats on stage to move it - and move it they did!
Ms Hannon got the groove going and Mark Williams, the two saxes, and the fiddler - Elaine Binney - took it up.
It was g-o-o-d..... Eric Stutt and Paul Grainger made sure it stayed that way. Keep this session going Keith - I love it!
Talking 'bout the fiddler - Elaine took an extended chorus on My Funny Valentine that was quite simply beautiful. Lyndsay's vocal wasn't bad either! As the animated inebriate sitting in front of me said, "It was medolic (sic)"
And it really was. But I shouldn't single out! Everyone who gets up and blows at the JC is adding their page to jazz history
I reluctantly moved on down the road to the Bridge Hotel where If Destroyed Still True - conveniently abbreviated to IDST - were appearing as part of the Splinter Sunday night sessions. Jazz Café Photos.
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After leaving the feel-good factor of the Jazz Café for the sombreness of The Bridge I sensed, by the lack of bar activity, that this wasn't going to be a one for the diary...
Simon Kayler (ten/sop), Simon Beddoe (tpt/flg), Johnny Tomlinson (pno), Nick Tyson (gtr), Seth Bennett (bs), Tommy Evans (dms).
IDST are a great band - I love them, having heard them a couple of years back at Scarborough.
Tonight they made everyone - which wasn't many - realise what a good band they are and they were playing original material.
There were moments when they swung like as though Art Blakey's Jazz Messengers had been re-born in the 21st century! Tempo changes, floating, drifting rhythms - hard blowing. An amazing sound for an unmiked front-line.
Original material. This is always the stumbling block I have.
Is anyone going to be whistling these originals as they go to work tomorrow?
Is anyone going to work tomorrow?
Lance.
Next week HCW (replacing the Carpus Trio).

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