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Bebop Spoken There

Newcastle Evening Chronicle (1930): "...questioning, incidentally, the right of either [saxophone or bagpipes] to be looked upon as a musical instrument instead of as one of torture." - (Melody Maker June 1930). From Colin Aitchison's amazing collection).

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Joel Harrison: “It’s incredibly hard to play bebop on guitar, harder than on saxophone.” – (Jazz Times August 2015)

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Archives.

Today Wednesday August 5

Afternoon
Vieux Carre Jazzmen
- Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Jazz Esquires - Magnesia Bank, Camden St., North Shields NE30 1NH. 1pm. Free.
Maine Street Jazzmen - Tynemouth Station. 1pm. Free.
Evening.
Zoe Gilby Quartet - The Elephant, Newbiggin Rd., Ashington. 8pm. £5. Final session at Ashington Jazz Club. RIP.
Take it to the Bridge Jazz Workshop - The Chillingham, Chillingham Rd., Heaton. 8:30pm. £1.
Dave Rae’s Levee Ramblers - Springwell Village Hall, Fell Rd., Gateshead NE9 7RP. 0191 4162630. 9pm. £2.
Jeremy McMurray Trio (w. Peter Ayton & James Birkett) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle NE2 2AE. 0191 2399924. 7.00pm.
Tees Hot Club - Cleveland Bay, Eaglescliffe. 9pm.
Jason Isaacs + Martin Stephensom + Ray Harris - Newton by the Sea, Northumberland. Details.

Sunday, April 11, 2010

FOUR PODS OF PEPPER @ Trinity Center, Gosforth. Saturday April 10.


...and the show must go on...
Thomas Spats Langham (gtr/bjo/uke/vcls), Martin Litton (pno), Matthias Seuffert (reeds), John Carstairs Hallam (bass)
Out of adversity springs forth inspiration. Norman Field the regular clarinet player could not make the concert for family reasons, bass-saxophonist Frans Sjostrom was stricken by a sudden bout of gasto-enteritis and, to rub salt in the wound, only a moderate turnout by Trinity standards (but would have been ecstatic with this number at Blaydon) was not the best of starts for this concert. But no need for dismay – the boys turned up the heat and delivered a memorable performance to an extremely appreciative audience.
Talk about entertaining folk and diversity of repertoire. What a delight!
At the centre of it all was Spats Langham a singer immersed in the style of Crosby, Bowlly etc. He combines this with a host of anecdotes about that golden era. Add virtuoso tenor banjo, driving acoustic guitar (on a tiny unmiked parlour guitar at that) and a dash of ukelele and you have a unique performer, a walking treasure trove of a bygone age. 
Memorable features were Pickin’ by Harry Reser, demonstrating remarkable banjo technique and speed of hand, a delightful vocal version of Ghost of St Louis Blues inspired by Emmett Miller, a very unusual song Night Owl inspired, I think, by Ukelele Ike, Waller’s I Wish I Were Twins plus plenty more goodies.
Martin Litton is known for his impeccable mastery of early piano styles – blues/ragtime/stride etc and there was plenty evidence of that tonight but some lush chord voicings particularly on his intro to Sophisticated Lady gave us a clue that he is a player also at home in more modern styles when appropriate. Martin was featured on James P Johnson’s Carolina Shout and gave an exquisite rendition of Bix’s In a Mist.
Norman Field is a much loved player but not bad to have Seuffert as a ‘dep’. He has an international reputation and you can see why. Very fine tenor/alto sax in the pre-bop rhapsodic style but with modern, immaculate technique and an attractive soft, liquid tone. Combine that with virtuoso clarinet and you have quite a player as his features on the aforementioned Sophisticated Lady, My Ideal (on tenor), Wolverine Blues and Hoagy’s Jubilee on clarinet, testified.
All credit to our own John Hallam who stepped in at the last moment on string bass. He coped admirably with  the material. Playing in essentially a ‘two beat’ style interspersed with runs and fills he produced a nice, natural sound and contributed fully to the evening’s proceedings and with a nice solo on the final number, Happy Feet.
A totally enjoyable evening from start to finish.
Roly.

1 comment :

  1. The feature for Litton - I think it might have been Caprice Rag not Carolina Shout.
    Roly

    ReplyDelete

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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