Bebop Spoken There
Cat Anderson: "It [the Lionel Hampton Band] was a wonderful experience, and there was lots of excitement, but the work was too hard and underpaid" - (Down Beat January 25 1968).
Arturo O’Farrill: “I like to put a younger musician next to a veteran and hope each will influence the other’s thinking.” – (Down Beat September 2014).
Today Sunday September 21
Always a good way to spend Sunday afternoon listening to a band in "The Park".
MARK WILLIAMS (Solo guitar) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle NE2 2AE. 0191 2399924. 1pm.
Quality food and great solo jazz.
Monthly - Tonight's the night and it's the club's 30th anniversary!
Tuesday, June 30, 2009
Monday, June 29, 2009
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Having been delayed elsewhere I dashed to the Corner House hoping to sample the interval buffet and listen to the second set featuring the guest for the evening clarinetist Don Armstrong. A big disappointment was the lack of a buffet ! A decent alternative was a nourishing pint of Guinness. So, pint in hand, the second set commenced with a rousing rendition of ''Happy Birthday'' by band and audience alike for birthday boy Mr. Armstrong (75 years young today). The jazz resumed with 'Over the Waves', a tune associated with George Lewis and, no doubt, well known to Don Armstrong (solos from Armstrong, Wright and Soulsby). An unexpected hiatus occurred when someone (no names, Mr.Soulsby) dropped a pint glass, shattering glass and spilling its contents all over the dance floor. The miscreant went off in search of brush, dustpan, mop etc. On his return it was suggested that, in clearing up the mess, he had found his true vocation ! Drummer Fred Thompson took a vocal on ''Sweet Sue'' followed by an excellent muted trumpet solo by Peter Wright on ''Sentimental Journey''. Louis' ''Someday You'll Be Sorry'' was another vocal feature for Thompson, with a solo turn from Brian Sibbald as Soulsby switched to alto for this one only during the set. An audience request - '' 'Tain't No Sin to Take Off Your Skin'' - saw Barry Soulsby reading the lyrics sheet with Bennett and Sibbald reading the dots to supply the rhythmic foundation. It was almost time to go but not without a two clarinet stirring of ''Clarinet Marmalade''. It was good to see a better turn-out than of late. A good night.
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Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
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Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
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