Four Piece Sweet: Caroline Irwin (vcl), Keith Stephens (lead), Roly Veitch (rhythm), Bruce Rollo (bs).
Swing City Trio: Steve Andrews (ten/clt), Roly Veitch (gtr), Roy Cansdale (bs).
If you think that "Santa Baby" in March is out of season - then you haven't heard it sung by the late Eartha Kitt or, indeed, Caroline Irwin; the 'sweet' in Four Piece Sweet.
Wearing an eye-catching Santa outfit Ms Irwin dropped in from Lapland, mingled amongst the mortals and turned a seasonal classic into a hardy perennial!
There were other gifts to be opened - "Autumn Leaves" in French, "Darktown Strutters Ball" in English, Betty Hutton's "Murder, He Says" in Brooklynese and "Crazy He Calls Me" in the universal language of love. "Fly Me To The Moon", Patsy Cline's "Walking After Midnight", "Cow Cow Boogie" and "Running Wild" give an idea of the wide range covered by "Sweet Caroline" (which she didn't sing thank goodness)
Despite the variety of tunes the spirit of Django was never far away - how could it be with guitar heroes Keith Stephens and Roly Veitch on stage? Keith played some terrific stuff with lots of those difficult runs that are the hallmark of Hot Club music. Needless to say he does some tricky stuff of his own too. Bruce Rollo has successfully incorporated his slap bass style into convential jazz bass whilst Roly gave it the rhythmic thrash that defines Djangology.
Roly remained on stage for the Swing City Trio set - the other two being Steve Andrews (ten/clt) and Roy Cansdale (bs).
The Gasbook was given a good workout by the trio with Roly in good voice - "I Saw Stars" is always a favourite of this band and tonight was no exception.
Steve Andrews blew some excellent Ben Websterian tenor on "Skylark" and also on that fine old standard that few people play anymore - "This Years Kisses". 'Kisses' had another vocal from Rolls as well as an appealing guitar solo that pressed all the right buttons. I could go on all night enthusing but I think you've got the picture by now. "Dear Bix" and "100 Years From Today" ultimately led to Caroline and Keith returning to augment the band for the final "Exactly Like You".
Nothing else for me to say and so I'll close but, by the way, Roy Cansdale's bass was great, ps: I love some of Steve's quips.
Lance
Lance I thought I'd drop a line, the weather's cool, the folks are fine etc etc. That sounded like a great gig, wish there was more of that down here in York. Never mind I get it vicariously through Bebop Spoken Here.
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