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Bebop Spoken There

Kathyrn Williams: “I got into Miles Davis when I was a teenager. But I’m nowhere near as knowledgeable as Anthony [Kerr]: he is an encyclopedia of jazz, with a real in-depth, academic knowledge. I’m just a fan.” – (Jazz Journal December 2017).

Christian McBride: "He [Horace Silver] was the whole package" – (Downbeat September 2014).

Today Wednesday January 17

Afternoon

Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

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Evening

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 8:00pm. £1.00.

The Village Hall New Orleans Band - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm £3.00.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, February 23, 2009

THE LAD v HCW at The Side.

The Lad (left): Adam Hastings (gtr), Peter Lee (kbds), Sam Vickery (bs), Ali Mack (dms). HCW: John Hirst (dms), Edd Carr (gtr), Christos Worsley (bs pictured below right.)
A double-header at The Side Café tonight in the form of HCW, who played a fine set here last November and "The Lad" - guitar wiz Adam Hastings' groove combo. On their last appearance, HCW - no prizes for working out where the name came from - had a distinct blues feeling to their music which was missing this time around. Instead, they played some well thought out originals that managed to escape the (sometimes) restrictive 12 bar format. Drummer Hirst's powerful technique, Edd Carr's exploratory solos and Christos Worsley's sensitive bass lines made for a tight unit. The 12 bar format holds no restrictions for Adam and nor does any other format from what I've heard. The mood here was George Benson and 'The Lad' was respectful towards his hero without being imitative. Peter Lee - no relation to the town or the old cabaret duo (Peters & Lee) - indicated that his soul mate was Billy Preston and he had some wild moments when in "Hammond" mode. Sam Vickery on bass and Ali Mack, drums, kept the engine powered for a set that had a few surprises. "Eleanor Rigby", despite Adam's professed love of the Beatles bore little resemblance to the original, I'm pleased to say, instead it had some guts to it. "Lately" was worthy of the composer (Stevie Wonder) and at times was quite delicate. However, for old boppers like myself, "Bouncing With Bud" was the highlight of an excellent set that simply "whizzed" by. The result? A score draw. Lance

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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