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Bebop Spoken There

Frank Zappa: "There was so much acid during the '60s that it was very easy for large numbers of people to think they had seen God as soon as the Beatles went boom, boom, boom, you know?." - (DownBeat May 18, 1978). – (DownBeat May 18, 1978).

Ryan Keberle: “Don't be easy on yourself when it comes to playing with perfect intonation. All other instruments will be playing with close-to-perfect intonation; the same should be expected of trombonists.'” – (DownBeat April 2018)

Today Friday March 23


Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.


Jiannis Pavlidis Trio - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 9:00pm. £8.00. (£6.00. advance).

Hookahs - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Five Men No Dog - Prohibition Bar, Arch 3, Brandling Street, Gateshead NE8 2BA. 8:00pm (doors 7:00pm). A ‘jar on the bar’ admission event.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, February 05, 2009

Corner House, Heaton - "What's the Big Idea?" - Read on...'s a beat-up Continental headin' for the Motor City, a 64 wheel rig out on Highway 61. A Greyhound bus, maybe somewhere in the Ozarks, it's a souped-up black, Pontiac Sedan.
Just a few of the images conjured up by the musical juggernaut that is Gerry Richardson's Big Idea. Nine pieces of funky soul that manage to sound like twenty-nine and counting.
Gerry leads from the front on a Hammond B3 (is it?) out-smokin' just about every organist around - he makes Brother Jack McDuff sound like Jack McDuff's brother. He throws in a few Mose Allisonic vocals - Tom Waits with class.
The pot is kept on the boil by Rod Sinclair's guitar blasts and the relentless drive of Paul Smith on drums - his solo in the final number was something else.
The horns all hit the right groove. Sue Ferris on bari, tenor and flute, Stuart Johnson, tenor/soprano, Gary Linsley, alto, Mark Webb & Dave Highnote (Hignett) trumpets and Keith Norris trombone.
Although it is unfair to signal anyone out, I do think Sue's flute playing deserves a special mention for the tonal contrast it brings to the section and because she's prettier than the rest.
Great night. Photos.
Enjoyed meeting up with some old friends in the form of the portly Andy Hudson and the ever elegant Germaine Stanger.

1 comment :

russell said...

Hi Lance

I couldn't agree more about Sue's flute playing.She can find her way around the baritone,too.

Stuart Johnson continues to impress taking a scorching soprano solo and later on he added a similar contribution on tenor.

Agreed,a great night.


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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: I look forward to hearing from you.